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Chirundu

von Es'kia Mphahlele

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A burning house. Nsato the python. The symbols of destruction and of sexual power gone mad are two of the many and varied themes in Es'kia Mphahlele's second novel, originally published in 1979. Chimba Chirundu, ex-schoolmaster and now Minister of Transport and Public Works in a newly-independent African country, is brought to trial on a charge of bigamy laid by his wife Tirenje. Arrogant and power-hungry, wilful and morally ambiguous, Chirundu has to grapple with two sets of values: those of the traditional way of life in Africa, and those imposed by his country's erstwhile colonial rulers. A chorus of other voices illuminate this powerful story of corruption and conflict: Tirenje, Chirundu's country wife, whose moral strength derives from her rural roots; the worldly Monde, his town wife; Moyo, his idealistic nephew and the leader of a strike by transport workers; and the cynical Pitso and Letanka, jailed South African refugees. In often pungent language, and in an unmistakeably African idiom, Es'kia Mphahlele reveals the complexities and ambiguities of the post-colonial situation.… (mehr)
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A 1979 novel about tyranny by a South African writer. It's divided into three sections, named for each of the three main characters:
  • Chirundu, the ambitious government minister, convinced he is “destined for great things”
  • Tirenje, Chirundu’s devoted wife, who divorces him after he takes a second wife in secret
  • Moyo, Chirundu’s nephew, a trade union activist who leads a strike against his uncle’s transport ministry

Trust me, I have not spoiled the plot; the facts given above are all revealed quite early in the book.

The three sections are bracketed by chorus-like comic passages involving two refugee prisoners, from Zimbabwe and South Africa. Sometimes they converse with their visitors, Moyo or a South African teacher called Studs Letanka. The tale is set in a fictionalized Malawi immediately before and after independence, in the 1950s and '60s. There is a python motif throughout the book. The characters come from a kaleidoscope of ethnic groups: Bemba, Lozi, Tumbuka, Tonga [Chi]Nyanja, etc. History is invoked, and there are memories of wars with Ngoni and with Yao slave raiders. Studs Letanka says:
…we must know where we came from to understand where we are — where we’re going — we must remember — that’s a tremendous gift — memory — you know what I mean? Not to forget. But we cannot now hold ceremonies over the millions dead and gone during the long journey in slavery — the journey across the seas. Memory should strengthen us, it should not detain us in the funeral parlour or at the graveside — it gets tiresome to have to keep going to funerals without corpses — I am tired, God! —
That’s a good sample of Mphahlele’s loquacious, unpolished, introspective style. This is a book of thoughts and anxieties about the future.
  Muscogulus | Feb 4, 2024 |
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A burning house. Nsato the python. The symbols of destruction and of sexual power gone mad are two of the many and varied themes in Es'kia Mphahlele's second novel, originally published in 1979. Chimba Chirundu, ex-schoolmaster and now Minister of Transport and Public Works in a newly-independent African country, is brought to trial on a charge of bigamy laid by his wife Tirenje. Arrogant and power-hungry, wilful and morally ambiguous, Chirundu has to grapple with two sets of values: those of the traditional way of life in Africa, and those imposed by his country's erstwhile colonial rulers. A chorus of other voices illuminate this powerful story of corruption and conflict: Tirenje, Chirundu's country wife, whose moral strength derives from her rural roots; the worldly Monde, his town wife; Moyo, his idealistic nephew and the leader of a strike by transport workers; and the cynical Pitso and Letanka, jailed South African refugees. In often pungent language, and in an unmistakeably African idiom, Es'kia Mphahlele reveals the complexities and ambiguities of the post-colonial situation.

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