This brief book is one to read, reread, and consult when reading the great literature with ancient beginnings since it provides an extraordinary and perceptive analysis of the nature of the literature of classical mythology. The Weidenfeld Lectures Calasso delivered at Oxford in 2000 represent Calasso's lifetime investigation into the gods providing the basis for Literature and the Gods. The book follows the reemergence of paganism in Western literature from the early modern period to the present.

This is a brilliant, imaginative, and beautifully scholarly work. Calasso gives us a renewed understanding of the mystique and magic of great literature by revealing the divine whisper that lurks underneath the greatest poetry and prose from throughout history. Even though it is a brief yet deep essay, it takes the reader on a personal tour of contemporary European literature and philosophy. I found it was not only smart, but inspired and intellectual as well.

The history of the gods can also be interpreted as a ciphered and magnificent history of creative inspiration, from the exile of the classical divinities during the Age of Reason to their release by the Romantics and their role in the literature of our own day. By rewriting that tale, Calasso creates a hallowed literary realm where the gods' influence can be felt. His investigation into "absolute literature" takes us to the worlds of Dionysus and Orpheus, Baudelaire and Mallarme, and inspires a clear-eyed and passionate defense of poetic form, even when it appears to be detached from any social role. Literature and the Gods, a lyrical and confident work of literary affirmation, is deserving of reading among the greats. ( )

This is a knitted and knotted exegesis on the role and symbolism of the divine in the literary arts, largely poetry in the 19th century. Like the rest of Calasso, that thesis is but a point of departure to a sinuous journey which broaches a kaleidoscope of concepts and figures.

Whether the pretexts spoke of race or class, the one sufficient reason for killing your enemies was always the same: these people were harmful to society. Society becomes the subject above all subjects.

There is much to marvel: the notes on Mallarme and Nietzsche. The sections glossing over links with the Vedas lost me. ( )

I didn't get too much from this. It's not the book's fault, or Calasso's. It's just much too erudite and intellectual for me. I've long been intrigued by the idea that the gods of the old Greek and Roman pantheons simply went away. Calasso's idea is that they've returned by being invoked in our literature. His referents are the more classical writers and thinkers--Baudelaire, Mallarme, Nietzsche. The time of their return began mid-19th Century. I'd surmise from this conceit that their presence continues today, albeit in novels such as The Great Gatsby, William Kennedy's Albany novels, and the wonderful Updike novel, The Centaur ( )

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