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Lädt ... Four Shōjo Stories (1996)von Matt Thorn (Herausgeber)
Lädt ...
Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. Contains 4 short stories: "They Were 11" by Moto Hagio, "Promise" by Keiko Nishi, "The Changeling" by Shio Sato, and "Since You've Been Gone" by Keiko Nishi. Published when the strange idea that Western women might be interested in anime and manga was cautiously being tested by the U.S. industry; apparently it's now long out of print. Splits neatly into two science fiction stories ("11" and "Changeling") and two "modern day" stories. "They Were 11" is considered a classic. It's thoughtful and exciting, and still fun to read, although not everyone enjoys the now-retro art style. I also enjoyed "The Changeling", which goes over some old SF ground, with a touch of romance. The artwork and tone seem a little atypical - more "grown-up" than I'm used to seeing in manga. "Since You've Been Gone" is my least favorite, seeming a little soap opera-like to me. I liked "Promise": a teen problem story with a hint of the supernatural. The market for shoujo (and all) manga has exploded in the U.S., seemingly driven by teenage girls, but I think in a way this collection shows the lack of variety in titles that are currently being released here. Of course, there's so much coming out now it's possible I'm just missing a lot of good stuff. Zeige 2 von 2 keine Rezensionen | Rezension hinzufügen
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Keiko Nishi contributes two stories: "Promise" and "Since You've Been Gone." The former is kinda saccharine, but almost gets away with it in its deft portrayal of human isolation. The second is also a little saccharine, but less so, but also less engaging; there's a couple too many clichés, I think.
The other story, I also quite enjoyed: Shio Sato's "The Changeling" reminds me of Ursula Le Guin's Ekumen in some ways, with a lone explorer checking out a planet seeded by humans in the distant past. There are some great ideas here, about violence, about emotion, about racism. Saying it's not as good as "They Were Eleven" is damning with faint praise, as it's really good. I was struck by the protagonist being female-- because it was almost incidental. I don't think it would have been in the hands of another writer/artist.
The only thing to not like about this volume is the cover: "JAPANESE COMICS FROM A UNIQUELY FEMALE PERSPECTIVE" and "It's Not Just Girls' Stuff Anymore" would have each been horrible tag lines on their own, but together they don't even make sense.