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The Coming (2000)

von Joe Haldeman

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544844,494 (3.04)5
A dystopian future Earth is thrown into turmoil by the imminent arrival of extraterrestrials in this alien-contact novel by the author of The Forever War. With The Coming, multiple Hugo and Nebula Award-winning science fiction Grand Master Joe Haldeman ingeniously combines a troubling dark vision of a dystopian near-future with an alien first-encounter tale as thrilling and thought-provoking as Carl Sagan's Contact and Steven Spielberg's Close Encounters of the Third Kind.   Despite technological advancements designed to alleviate the stress of everyday life, Earth at the midpoint of the twenty-first century is plagued by environmental crisis and manmade catastrophe. Tensions among the nations of Europe bring the threat of World War III closer by the hour as their lands are also ravaged by devastating climatic upheaval, the result of centuries of unchecked ozone depletion and global warming.   Meanwhile, in an America whose population has been sedated by DNA-specific drugs and virtual porn, homosexuality and free sexual expression have been outlawed by a repressive federal government led by an inept media-star president.   But everything changes on October 1, 2054, when Professor Aurora Bell, an astrophysicist at the University of Florida, picks up a message from deep space: "We're coming . . ."   Ingeniously told from the viewpoints of a diverse cast of characters ranging from scientists, artists, and ordinary citizens to criminals, con men, and politicians, The Coming is a shockingly prescient work of speculative fiction from the multiple award-winning author of The Forever War and the acclaimed Worlds series, taking the alien invasion story to places it has never gone before.  … (mehr)
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"E.T." meets "Peyton Place" in a supposed First Contact novel that turns out to be a tawdry soap opera set among the kooks and creeps of Gainesville, Florida. There's the virtual reality porn star, the slimy mob enforcer, the crazy bag lady...and Haldeman throws in a few techno touches just to let us know everything takes place 30 years in the future: homosexuality is now an indictable offence and VR goggles come with a genital attachment. Relegated to the final few pages, the actual Coming itself turns out to be little more than a shaggy dog story which I suppose could be taken as satire were it not so clumsily presented. Some of the politics hit the mark however with D.C. coming across as a circus of incompetence while actual scientists are put on the back burner, and I liked how each chapter segued into next one with multiple POVs, but in the end it wasn't enough to save the story. ( )
  NurseBob | Jan 23, 2023 |
This book doesn't offer much in the way of original SF ideas and the ending is a damp squib, but it's interesting for the way it is constructed. It is a First Contact story with a premise similar to that of Sagan's Contact.

There are multiple viewpoints but instead of rotating around the characters and giving each perspective over the whole time period of the story, time progresses continually. Viewpoint switches are like momentum transfer in collisions; one character bumps into another and then suddenly we are off somewhere else in that second person's head! Think a little about how hard it would be to construct a novel that way and yet tell a good story well! I think there are a couple of times Haldeman can't quite make it work and we have to leap across town but not very many. Haldeman carries it off with impressive skill and the narrative is easy to follow and understand - so: technically impressive but not the best Haldeman can do in terms of SF ideas. ( )
  Arbieroo | Jul 17, 2020 |
The editors of a literary magazine I'm a member of use an abbreviation that would apply to this novel: TLDGA (Too Long Doesn't Go Anywhere). You don't often see this kind of novel but when you do it's hard not to classify it as: author used text to put his own fascination and fetishes on paper. Sometimes this works to great effect, such as Portnoy's Complaint by Philip Roth, but in those cases the author knows to give the reader plenty of entertainment and other unrelated materials. Haldeman however foregoes that and just let's loose on his own fascinations from the get go. Roughly and vaguely this science fiction novel is about first contact. More specifically and more importantly this is a novel written by an author with an obsession of bodily functions.

Besides a litany of graphic scenes and paragraphs I could have done without, the author mainly experiments with narrative. Chapters are standalone points of view of a single character and the novel is chain of ever changing perspectives, or rather that's what it wants to be. Instead it reads as a rapid chaos fire. I could barely keep up trying to figure out who this character was I was reading about again since it only had a 1 page chapter about 10 chapters back.

I stopped reading this book because not only is it tedious, it's frustrating and insulting to the reader. In fact this novel made me angry since I felt stuck at the end of a fire hose that starts at the author's mind and which spouts personal sexual and body interaction preferences directly into my brain. ( )
1 abstimmen TheCriticalTimes | Dec 7, 2019 |
Rory Bell reçoit un message de l'espace : "Nous venons". Si c'est un canular, l'auteur y a mis les moyens car le message vient bien de l'espace. Le ou les auteurs doivent arriver pour le nouvel-an, ce qui nous laisse le temps de connaître les protagonistes impliqués à plus ou moins haute échelle dans tout ça, dans une narration en relais où on passe d'un personnage à l'autre quand le premier est en présence ou parler ou second. J'ai trouvé ce procédé particulièrement bien, car il rend bien aussi l'effet "fil rouge" de l'avènement, la venue des extra-terrestres. En effet on va d'abord suivre les pérégrinations de quelques membres notables de Gainesville, Floride, avec l'avènement en toile de fond. Tout ceci nous donne l'état de la Terre en 2054, écologiquement malade, au bord d'une guerre mondiale ( point que j'ai trouvé le plus artificiel et mal développé ) avec une violence latente dans la société mais cette dystopie n'est pas cauchemardesque, car sans doute assez réaliste.

Finalement j'ai bien aimé ce livre, j'avais un peu peur avant de le commencer car les critiques étaient mitigées, mais j'avais adoré "La guerre éternel" du même auteur, un livre marquant. "Le message", c'est un livre bien écrit et agréable à lire. Par certains aspects, ça m'a fait pensé aux romans de Robert Charles Wilson, en ce qui concerne la réflexion globale sur l'humanité. ( )
  FoM | Oct 3, 2011 |
This book wasn't as good as I hoped it would be -- some of Joe's other work has been excellent (The Forever War, Forever Peace and Marsbound being examples). However, some of his other books are very weak, such as Forever Free and There Is No Darkness. This book is an interesting experiment in story telling style, where many different very short chapters are told by different characters. Each chapter follows on directly from the previous one. However, this style makes the story confusing to read until you can remember the names of all the characters. Worse than that though, the idea behind the story isn't terribly strong, and the resolution is weak as well.

Overall and ok read, but not Joe's best work and not a book I would recommend.

http://www.stillhq.com/book/Joe_Haldeman/The_Coming.html ( )
  mikal | Aug 7, 2010 |
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AutorennameRolleArt des AutorsWerk?Status
Joe HaldemanHauptautoralle Ausgabenberechnet
Ducak, DaniloUmschlagillustrationCo-Autoreinige Ausgabenbestätigt

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A dystopian future Earth is thrown into turmoil by the imminent arrival of extraterrestrials in this alien-contact novel by the author of The Forever War. With The Coming, multiple Hugo and Nebula Award-winning science fiction Grand Master Joe Haldeman ingeniously combines a troubling dark vision of a dystopian near-future with an alien first-encounter tale as thrilling and thought-provoking as Carl Sagan's Contact and Steven Spielberg's Close Encounters of the Third Kind.   Despite technological advancements designed to alleviate the stress of everyday life, Earth at the midpoint of the twenty-first century is plagued by environmental crisis and manmade catastrophe. Tensions among the nations of Europe bring the threat of World War III closer by the hour as their lands are also ravaged by devastating climatic upheaval, the result of centuries of unchecked ozone depletion and global warming.   Meanwhile, in an America whose population has been sedated by DNA-specific drugs and virtual porn, homosexuality and free sexual expression have been outlawed by a repressive federal government led by an inept media-star president.   But everything changes on October 1, 2054, when Professor Aurora Bell, an astrophysicist at the University of Florida, picks up a message from deep space: "We're coming . . ."   Ingeniously told from the viewpoints of a diverse cast of characters ranging from scientists, artists, and ordinary citizens to criminals, con men, and politicians, The Coming is a shockingly prescient work of speculative fiction from the multiple award-winning author of The Forever War and the acclaimed Worlds series, taking the alien invasion story to places it has never gone before.  

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