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Lädt ... Das dunkle Schiff (2008)von Sherko Fatah
Keine Lädt ...
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Ein junger Iraker ger©Þt unter die Gotteskrieger und flieht nach Deutschland. Ein kluger Abenteuerroman, der mit Spannung zeigt, wie ein kleines Leben von gro©en Umw©Þlzungen erfa©t wird.Das Buch erz©Þhlt die Geschichte des jungen Kerim, von Beruf Koch, der sich aus dem irakischen Grenzland auf die beschwerliche und gef©Þhrliche Reise nach Europa macht. Von fr©ơh an der Idee verfallen, sich zu verwandeln, hat er noch andere Gr©ơnde f©ơr seine Flucht, war er doch unter die Gotteskrieger geraten und mit ihnen durch das Land gezogen, bevor er sich von ihrem Weg der Gewalt lossagte. Kerim, bem©ơht, in Deutschland ein neues Leben zu beginnen, kann, obwohl er in dem fremden Land auch Zuwendung und sogar seine erste Liebe findet, die Vergangenheit nicht absch©ơtteln, vielmehr scheint diese sich fortw©Þhrend auf ihn zuzubewegen. Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)833.92Literature German and related languages German fiction Modern period (1900-) 1990-Klassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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This is an odd and rather disconcerting mixture of adventure story and dark introspective psychological drama, but it seems to work as a novel despite that. Kerim is at times a cunning and endearing protagonist, but he's ultimately a failed human being, who can't achieve dramatic resolution by any of the conventional means. We are shown pretty clearly where the roots of that failure lie, and how little chance he had of avoiding them.
The account of the guerrilla fighters is at the heart of the book, and it is carefully calibrated to allow us to be revolted by their violence and its consequences, as Kerim is, but still take us at least part of the way into understanding the emotional and political logic that leads them into the belief that violence is right and necessary. Fatah's clean, undemonstrative writing style is probably the key to making this approach work — and making you feel afterwards that you'd rather not have been where you just were — and so is his insistence on keeping the viewpoint strictly with the Kurds, so that we never get to see the Western invaders as anything other than murderous intruders.
The nightmarish voyage as a stowaway in a cargo ship from Turkey, which gives the novel its title, is also grippingly described, but it doesn't seem to mesh very well with the rest of the book: it's almost as though it was pasted in as an afterthought. It acts as a kind of intermezzo to separate the Iraqi and German parts of the story, and it reinforces Kerim's sense of himself as unreliable, but it doesn't really advance the plot much.
Obviously, this is a book that's meant to leave you feeling uncomfortable and less sure of your ideas than you were when you started, and it does that very effectively. But it isn't much fun... ( )