Many years ago I read and loved this Nobelist's most well-known book, Independent People, so I was intrigued to read this novel after reading jpaul's review. As the novel opens, Salka and her mother Sigurlina are debarking at the fishing village of Oseyri. Sigurlina is seeking work, and they've come from up north, intending to go to Reykjavik, but this was as far as their meager funds would take them. They arrive penniless, with few possessions and few prospects for work. After spending the night at the Salvation Army, they gradually begin making a life for themselves in the village. Salka is about 10 years old when they arrive, and even as a young girl she is independent and strong-willed. The whole first part of the novel depicting Salka's young girlhood is a delight.

The second part features Salka as a young woman who has begun to have some financial success. She is instrumental in a newly formed fisherman's union, wears trousers and mostly doesn't care what she looks like. This part dragged for me at times because there was a lot of political maneuvering and discussion. Communist organizers are moving in, elections, rigged or otherwise, are being held. Some of the villagers want to get rid of Johan Bogeson who has controlled the fishing industry in the village for years and who pays those who work for him not in cash, but in credit at the company store, which he also owns. ( "And although the villagers toiled incessantly in competition with the whims of the weather, the fruits of their labor were nowhere to be seen; everything disappeared down the same hole, whether people fished for a share of the catch or a fixed wage: their accounts with Johan Bogeson swallowed everything. Here no one ever saw money.") Other villagers see Bogeson as kind and benevolent, keeping them fed and housed in the lean years. The politicking in this section went on a bit long for me. This second part, as well as the final section, also contains snippets of romance and sexual awakening for Salka, raising issues as to whether she can maintain her strong sense of self as she comes into womanhood.

Amazon describes this as a "feminist coming of age" story, and it is that. Salka was a fascinating character, the descriptions of the village, the villagers and their day to day life, hard and poverty-stricken as it was, is engaging and interesting. Even the political shenigans interested me to an extent, just going on a tad too long. I'm glad I read this book.

Some quotes:

"There never seemed to be good weather in this village because the Creator was always experimenting with His sky. After frost and snow, He brought wind which whipped the snow into drifts. After whipping the snow into drifts, He would send a thaw, and melt all the drifts that He had swept together with great effort. All in all, it might be said that the Creator's favorite weather for this village was rain, which stirred up all sorts of stenches: sea and seaweed, fish, fish heads and fish guts, train oil, tar, manure, and refuse."

"Well, as I've always said, the depravity of the rich is like the sea; if you knew what dwelt in it, you would never dare dip your hand into it."

3 1/2 stars ( )

The eponymous Salka Valka is just a young girl of eleven when she and her mother arrive in a tiny fishing town on Iceland's coast. They were on their way south to Reykjavik and between the mother's seasickness and her inability to fund their whole trip, they need to disembark. They find a small village whose entire economy is based on fishing and controlled by one man, who tracks everyone's work and debits what he gives them from his store - no money is involved. Salka and her mother, Sigurlina, turn to the local Salvation Army chapter for support.

They can't find work, but end up living with an older couple. Salka shows an independent spirit from the beginning of the novel. Her mother seems unwilling to work when she runs into some roadblocks, but Salka begins cleaning fish and earning a place in the town's ledger. She also ends up able to be tutored by a local boy. Salka is not only independent, she is different. She wears trousers and cuts off her hair, and as she grows up she becomes a more important voice in the community, even organizing the local fisherman into a union. The book turns to a conflict between Bolshevism and capitalism, with those actually doing the work caught in the middle of the ideas brought by outsiders. Salka has a hard life in terms of her relationships. I don't want to give away too many plot points, but she has a traumatic experience with one of her mother's lovers, and this definitely colors her later relationships - both with him (he unfortunately remains in and out of her life) and with other men.

Overall I really enjoyed this. Despite the diatribes on religion and politics, I found the writing less dense than some of Laxness's other novels. Because there is a pretty solid focus on Salka alone, it was easy to stay engaged in her life. It was fascinating to see how this fishing village operated in the early 1900s and to see the changes that take place through the early 20th century. I read a recent translation published by Archipelago. ( )

een vrouw wordt met de postboot aan land gebracht...

Teos, jota ei alkuun päästyään halua jättää kesken. Kirjan nimihenkilön, köyhän islantilaistytön Salka Valkan tarinassa on jotakin samaa kuin Myrskyluodon Maijassa. Kristiina Kivivuoren ruotsinkielestä käännöksestä tekemä suomennos vaikuttaa erittäin onnistuneelta, kieli on rikasta, vivahteikasta ja nautittavaa.

Романът проследява суровата съдба на малко момиче, отглеждано от самотната си майка в условията на исландския север през 40-те години на ХХ век. Авторът представя историята в нейната груба и брутална същност, без да спести нищо на читателя. Действието се развива във фиктивно село, лежащо в измислен фиорд на бреговете на Исландия, и докато първата му половина разказва за нещастията на самотната майка, и за цената, която трябва да плати на обществото (лично и чрез дъщеря си), за това че има извънбрачно дете, то втората половина на романа сменя главния си герой – тук вече това е Салка Валка. Действащите лица остават едни и същи, но мизансценът е коренно различен – от чисто житейски, се превръща в политико-идеологически, а именно – сблъсъкът на капитализма и комунизма в условията на бедна селска Исландия. Последните страници на творбата възстановяват житейския характер на романа, чрез прокрадването на романтична жилка под формата на всепоглъщаща любов, която е в състояние на превърне заклетия капиталист Салка в „таварищ” и „болшевик” Салка. Романът описва динамиката на живота в исландската провинция, и неговите характерни герои, а авторът, макар и да застъпва идеологическата борба между капитализма и комунизма, не заема страната на нито едната от идеологиите. Говори чрез героите си, и разобличава част от тях чрез действията им, противоречащи на изповядваната от тях идеология. ( )