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Lädt ... Utopia Ltd.: Ideologies of Social Dreaming in England 1870-1900von Matthew Beaumont
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This book uncovers the historical preconditions for the explosive revival of utopian literature at the nineteenth-century fin de sie cle , and excavates its ideological content. It marks a contribution not only to the literary and cultural history of the late-Victorian period, and to the expanding field of utopian studies, but to the development of a Marxist critique of utopianism. The book is particularly concerned with three kinds of political utopia or anti-utopia, those of 'state socialism', feminism, and anti-communism (the characteristic expression of this last example being the cacotopia ). After an extensive contextual account of the politics of utopia in late-nineteenth century England, it devotes a chapter to each of these topics before developing an original reinterpretation of William Morris's seminal Marxist utopia, News from Nowhere . Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)823.809372Literature English English fiction Victorian period 1837-1900Klassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt: Keine Bewertungen.Bist das du?Werde ein LibraryThing-Autor. |
Beaumont also discusses the appearance of "cacotopias" in Victorian fiction. These are kind of like dystopias, but worse. Cacotopia (at least as Beaumont puts it) isn't interested in the parameters of the "corrupt power structures of the putative socialist state" like an anti-utopian novel would be; a cacotopia is written to "portray[ ] revolution as a sexual and political apocalypse" (132). Beaumont argues that it "depicts the working class, in corpore, as dystopian" and thus having a "grisly fascination with chthonic insurrection" (132). Beaumont seems to mark it as an inherently classist form: the working class will not carry out reform in a socially acceptable because they are incapable of doing so. Beaumont's discussion of the form was the part of the book that was the most interesting to me, though I wish he had developed his idea that George Griffith's Angel of the Revolution was "a parodic reappropriation" of the cacotopia (149), as Angel is too complicated and too weird a work to be summed up so quickly (the novel gets only a paragraph) if one wants to be compelling.
One very praiseworthy feature of Beaumont's work is the sheer depth of reading he's done in his genre of choice. Some of the works I went on to read in the Eaton Collection, like Fergus Hume's The Year of Miracle (1895) and Charles Gleig's When All Men Starve (1897), but there are many many more I would still like to read.