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Mond meines Vaters : Roman. (1989)

von Elizabeth Jolley

Reihen: The Vera Wright Trilogy (Book 1)

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1264219,112 (3.57)7
Vera wird nach der Internatsschule im 2. Weltkrieg Schwester in einem englischen Milit arhospital. Erfahrungen mit der Erwachsenenwelt sind f ur die Aue︣nseiterin verheerend schmerzhaft.
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Veronica Wright (Vera) is trying to find her way. As a mother to young Helena. As a daughter to an overbearing mother. As a nurse in war-torn England. As an unpopular student at a stuffy boarding school. She find solace in the little things, like the promise of a moon she and her father can both see, no matter how far apart they may be. We start at the end, when Vera is a single mother, but then weave our way back through Vera's beginnings. At times, the story is disjointed and meandering; I think of it as chronologically schizophrenic. I didn't care for all the jumping around. And. I didn't care for Vera and her miserable personality. There. I said it. There is something so hopeless and lost about Vera's spirit. She isn't in touch with her feelings, doesn't know when to laugh, is awkward around her peers, has been told she has no sex appeal, is ignored in most situations...Her relationships with fellow students, nurses and family are suspicious. Jolley drops hints about the true nature of them, but nothing is clear. ( )
1 abstimmen SeriousGrace | Feb 10, 2014 |
This story begins at the end, with Vera Wright and her young child, leaving her parent's home making an existance in a job she dislikes. We then learn how as an enthusiastic, although naive, young WWII student nurse her future is cast when she is seduced by man with a "reputation".
Sometimes I was not really sure what was going on in the story as it jumped about, but the writing is excellent. ( )
  TheWasp | Jan 19, 2013 |
http://shawjonathan.wordpress.com/2012/05/03/elizabeth-jolley-my-fathers-moon/
This is probably very good but it's not something I enjoyed. Middle class English schoolgirls, then nurses in a hospital during World War Two, then teachers at a ‘progressive’ school (though not in that order – this is a Literary Novel of 1989, remember, and a lot is told out of chronological order for no apparent reason other than to play with the reader’s mind) are variously mean, petty, homoerotic, spiteful, class-conscious, kind, gossipy, weird, naive, vulnerable, pretentious, callous, romantic, obtuse, pregnant – though the narrator, who has happily described two women waltzing naked, is too reticent to give us anything physical about the moment of conception. It’s very well written, and made me think of Blake: ‘Sooner murder an infant in its cradle than nurse unacted desires.’ ( )
1 abstimmen shawjonathan | May 2, 2012 |
My Father's Moon opens with young WWII nurse Vera Wright pregnant to a dead man and facing an uncertain future. The novel unfolds into a poignant retelling of just how Vera came to be in this predicament. It touches on many interesting themes, including friendship, betrayal and the wretched drudgery of life during wartime.

This is the first book in Elizabeth Jolley's semi-autobiographical trilogy. It is somewhat disjointed, to the point where I sometimes wondered if I had accidentally skipped over some pages. For this reason I would not recommend it as a starting point for readers new to Jolley's wonderful body of work. ( )
  whirled | Nov 10, 2009 |
It is told in reverse order in a series of jagged, impressionistic short stories.... Vera is meek, naive and loveless. She is also bitter and forlorn. She lies. She is bullied and she bullies others. Happiness must be grasped at and stolen, never shared. Vera is unable to see the world around her outside the narrow punishing hierarchies of the boarding school and the hospital.... She invites her entrapment not just with waywardness, but wilfully.
hinzugefügt von KayCliff | bearbeitenThe Guardian, Carrie Tiffany (Jul 9, 2020)
 
Darker in tone than her recent The Sugar Mother , Jolley's new novel establishes a somber, brooding atmos phere in the first of 10 interlocking segments, then flashes back to the circumstances that led to Vera Wright's current plight and bleak future. Brought up in a lower-class neighborhood in an English mining town by parents who scrimp to send her to boarding school and nursing college, Vera is self-conscious about her clothes, accent and lack of breeding. She feels closed out of the charmed circled of privileged girls, a prey to ``unutterable loneliness,'' but she feeds her soul with music and literature and with the memory of her father's admonishment to remember that the moon she sees in the sky is shining on him too. Vera finds some fulfillment in a lesbian relationship with another nurse trainee, and yearns for the love of an older staff nurse who has been kind to her. But when she thinks she has been befriended by a staff doctor and his wife, brought into ``respectable'' society at last, she is instead heartlessly exploited, seduced and betrayed. With her baby daughter, she faces a life of ``sorrow and futility.'' Vera's self-absorbed account is related against the background of WW II and the London Blitz, encapsulated in a few vivid images: a mournful procession of wagons bring the wounded men to the hospital; a young soldier's wound erupts with maggots, which run over the bed and floor. Though the novel's segments do not always connect seamlessly, the motivations of several characters are not clear, and some Briticisms and allusions are obscure, Jolley's power to convey the anguish of sensitive, lonely people creates a haunting narrative.
hinzugefügt von KayCliff | bearbeitenPublisher's Weekly
 
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Vera wird nach der Internatsschule im 2. Weltkrieg Schwester in einem englischen Milit arhospital. Erfahrungen mit der Erwachsenenwelt sind f ur die Aue︣nseiterin verheerend schmerzhaft.

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