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Long Way Back

von Fuad al-Takarli

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Reihen: Modern Arabic Writing

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The Long Way Back tells the story of four generations of the same family living in an old house in the Bab al-Shaykh area of Baghdad. Through exquisite layering of the overlapping worlds of the characters, their private conflicts and passions are set against the wider drama of events leading up to the overthrow of prime minister Abd al-Karim Qasim and the initial steps to power of the Baath party in Iraq in 1962-63.The skilful building-up of the characters and their worlds within a brief and clearly determined period of recent history allows for a bold and intelligent portrayal of the ambiguous strengths and weaknesses of Iraqi and wider Arab culture. In addition, the dramatization of the relationships between generations, social groups, and genders is achieved with a mixture of humor, bitter irony, and compassion that identifies it as a great work of Arabic literature.… (mehr)
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This is a story of 4 generations of a family told through the private thoughts of numerous of the characters. It explores the conflict between personal and societal values and the mechanisms of the mind dealing with tragedy. It conveys the isolation of individuals despite the ties of family. ( )
  snash | Aug 23, 2014 |
Puzzlement remains the word I’d use to describe my reaction to this slice of life novel. The writing is meditative – I give it four stars. Plot is non-existent; told from multiple points of view, this is the interior story of individuals in an extended family living in Baghdad in the early 1960s.

I made a family tree to organize the characters (each generation of women has similar names). None of them are happy, unless Midhat is at the beginning of the story. Although external events intersect with their lives, the novel focuses on the internal thoughts, feelings, and struggles of each character.

I came away most focused on the story of Munria, wondering what would happen to her next. And my impression was that I knew the women better than the men, although more page space is devoted to the brothers Midhat and Karumi.

The author was a lawyer & a judge who wrote on the side. In an interview published in 2007 in Al Jadid, Takarli refers to this novel as “The faraway man.” Neither that nor “the long way back” strike me as especially fitting titles, but I’m not sure what I would call it either.

I read this for an online reading group. ( )
  markon | Jul 16, 2014 |
The Long Way Back tells the story of four generations of the same family living in an old house in the Bab al-Shaykh area of Baghdad. Through exquisite layering of the overlapping worlds of the characters, their private conflicts and passions are set against the wider drama of events leading up to the overthrow of prime minister Abd al-Karim Qasim and the initial steps to power of the Baath party in Iraq in 1962–63.

The skilful building-up of the characters and their worlds within a brief and clearly determined period of recent history allows for a bold and intelligent portrayal of the ambiguous strengths and weaknesses of Iraqi and wider Arab culture. In addition, the dramatization of the relationships between generations, social groups, and genders is achieved with a mixture of humor, bitter irony and compassion that identifies it as a great work of Arabic literature.
hinzugefügt von markon | bearbeitenAmazon.com
 

» Andere Autoren hinzufügen

AutorennameRolleArt des AutorsWerk?Status
Fuad al-TakarliHauptautoralle Ausgabenberechnet
Cobham, CatherineÜbersetzerCo-Autoreinige Ausgabenbestätigt

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The Long Way Back tells the story of four generations of the same family living in an old house in the Bab al-Shaykh area of Baghdad. Through exquisite layering of the overlapping worlds of the characters, their private conflicts and passions are set against the wider drama of events leading up to the overthrow of prime minister Abd al-Karim Qasim and the initial steps to power of the Baath party in Iraq in 1962-63.The skilful building-up of the characters and their worlds within a brief and clearly determined period of recent history allows for a bold and intelligent portrayal of the ambiguous strengths and weaknesses of Iraqi and wider Arab culture. In addition, the dramatization of the relationships between generations, social groups, and genders is achieved with a mixture of humor, bitter irony, and compassion that identifies it as a great work of Arabic literature.

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