I do recommend NOT studying the list of principal characters too closely before reading the book, although I don't know that it really spoiled much for me. This volume picks up after the events The Leper's Bell, and the series as a whole seems to have more continuity now. Unfortunately, my own read of The Leper's Bell was a good long time ago, so I probably should have reread it...it isn't totally necessary, but I would have had a stronger connection to some of the characters, such as Gannica. I'll leave off too much plot description because it could very easily lead to spoilers, but the political strife between the Uí Fidgente and Cashel continues, despite the fragile peace under Donennach.

On the whole, the character development continues to mature. Tremayne uses Fidelma and Eadulf to show varying perspectives on Christianity--Fidelma is tolerant of the old ways, making space for "finding God in his own way" (203) in deference to the proud Pagan Gáeth. Eadulf, on the other hand, has the fervor of a young convert, and tends to be judgmental and one-dimensional in his thinking (occasionally).

I was particularly interested in some continuity of what seemed to be minutiae. Tremayne revisits a chant "Regem regnum rogamus in nostris sermonibus" which is sung in two languages to a "Gallic" chant melody, and this same song also appears in The Monk who Vanished, supposedly composed by one Colmán moccu Clusaif/mac Uí Clusaim who helped his people during the threat of the Yellow Plague. I was unable to find an actual historical person by this name, but my guess is that there is a model here for Tremayne. These little details, however, keep me coming back for more. I've started a list of concordances that I may turn into a wiki at some point.

The copyediting and editing is still not great, however (some library patron took to the copy I read with a pencil, thankfully). We also get unnecessary repetition, such as when we are told "Eadulf, who knew something of the healing arts..." (193) when that has already been on display earlier in the book. There does seem to be a little less repetition of Fidelma's status as a dalaigh, qualified to the level of anruth, and when she can sit in the presence of a king, etc. etc within a single volume now, so that is an improvement.

The development was slow in this one, but things get moving rather quickly once Fidelma, Conrí, and Eadulf set sail for an island. The details regarding the scriptorium and copying are interesting, and there are some more colorful characters including Slébéne, chief of the Corco Duibhne. I'm very glad that Conrí, who we first meet in Badger's Moon, I believe, seems to have a returning presence in the series. He is one of the more complex characters in the narrative of the Uí Fidgente.

Overall a really good installment and I'll looking forward to learning more as the political intrigue is bound to return. ( )

A ship has run aground, an abbess has been killed, the nuns traveling with her disappeared and an elderly scholar has been killed. Although at peace, some members of the Ui Figente seem to be rebellious, several scholarly text are missing and destroyed. It is up to Fidelma, with Aedulf's help, to understand these mysteries and weave them into a single tapestry.

This is book 16 in the Sister Fidela mysteries. ( )

Een abdis wordt vermoord en een aantal nonnen ontvoerd, een schip slaat op de klippen te pletter, een geleerde wordt in de kapel van de abdij vermoord. Het blijkt allemaal met elkaar te maken te hebben. Fidelma en Eadulf ontrafelen het raadsel en voorkomen daarmee de strijd om de rechtmatigheid van de troon van Cashel.

As always excellent insights into life in 7th century Eire. Interesting story with a good mystery to be resolved. Fidelma is a force within the surprising rule of laws that existed in this era. ( )

Une intrigue dans la pure tradition des enquêtes de soeur Fidelma, bien construite, bien dosée.. Juste un peu dommage que l'histoire de fond devienne un peu répétitive, guerre de clan et de pouvoir, et donc un peu prévisible. L'épisode manque sans doutes un peu d'originalité et n'appprte pas beaucoup d'éléments neufs dans l'histoire de Fidelma et de son moine Saxon. ( )