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Hip Logic (National Poetry Series)

von Terrance Hayes

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1101249,808 (3.45)2
The second collection of poetry from the author of Lighthead, winner of the 2010 National Book Award Watch for the new collection of poetry from Terrance Hayes, American Sonnets for My Past and Future Assassin, coming in June of 2018 Terrance Hayes is a dazzlingly original poet, interested in adventurous explorations of subject and form. His new work, Hip Logic, is full of poetic tributes to the likes of Paul Robeson, Big Bird, Balthus, and Mr. T, as well as poems based on the anagram principle of words within a word. Throughout, Hayes's verse dances in a kind of homemade music box, with notes that range from tender to erudite, associative to narrative, humorous to political. Hip Logic does much to capture the nuances of contemporary male African American identity and confirms Hayes's reputation as one of the most compelling new voices in American poetry.… (mehr)
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Hayes is an amazing reader, and I generally love his poetry nearly as much when read in print--this collection may be the exception, though. While some of the poems here are ones which I'll come back to, over and over again, many of them are poems that I can easily imagine coming to life only with his voice and inflections--on the page, they're just not that memorable. As such, while this is still a strong collection, I'd recommend exploring some of Hayes' other work unless, of course, you're already a fan. Either way, there'll be poems here that you'll find are well worth your time, but I'm not sure the collection as a whole stands up to his other work. ( )
  whitewavedarling | Jun 9, 2012 |
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The second collection of poetry from the author of Lighthead, winner of the 2010 National Book Award Watch for the new collection of poetry from Terrance Hayes, American Sonnets for My Past and Future Assassin, coming in June of 2018 Terrance Hayes is a dazzlingly original poet, interested in adventurous explorations of subject and form. His new work, Hip Logic, is full of poetic tributes to the likes of Paul Robeson, Big Bird, Balthus, and Mr. T, as well as poems based on the anagram principle of words within a word. Throughout, Hayes's verse dances in a kind of homemade music box, with notes that range from tender to erudite, associative to narrative, humorous to political. Hip Logic does much to capture the nuances of contemporary male African American identity and confirms Hayes's reputation as one of the most compelling new voices in American poetry.

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