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Day out of Days: Stories (2010)

von Sam Shepard

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In a series of tales set mainly in the West, a man is trapped inside a restaurant where an endless loop of Shania Twain songs is playing, an actor recounts his teenage debaucheries with an old friend, and a squabbling family remains oblivious to their Yucatán vacation.
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Another collection of Vignettes around remembrances of his life. Some as stories and others as poems. When he is describing the SW US or Mexico his writing is sharp and vivid. Other times not so much. Not his best but if you like Shepard it will do. ( )
  JBreedlove | Jun 27, 2023 |
http://msarki.tumblr.com/post/103882147253/day-out-of-days-by-sam-shepard

It is unlikely that the evolution of Sam Shepard as an accomplished writer of short fiction comes as any great surprise to those of us who read him. Each book throughout the course of his life ages right along beside him. By 2010 his voice has become wizened and mature, and with it he acknowledges his own frailties as a human being in his attempts at getting along in the world and with others. His personal relationships, though long, are somewhat disruptive and not without a revolving wheel of baggage that certainly seems the cause of all his repeating issues. But Sam is such a comfort for me to read. I can relate to almost all he has to write about, and even his wildest imaginations on the page seem to carry me places I have always been willing and perhaps subconsciously intending to go.

It is possible that Sam Shepard will have much more to say as he continues to practice his craft by his doing it almost constantly. Unlike myself, who manages to find writing time in longish spurts when I block out the time to commit myself to a serious attempt at forging something of consequence, Sam takes his notebook along with him wherever he goes and jots down what he sees and thinks about things, it seems, relentlessly. He appears to never rest from this literary labor. I am so envious. I wish I were a different sort of man who might conduct this same practice and discipline in my own life. But then, that would presume I had something to say of note and matter. I am afraid I am more of a listener who then enjoys reporting on things he has learned from mistakes he and others have made. I am not good at making things up from scratch, nor do I think Sam is either. But thank goodness for his notebook and journals.

After viewing the documentary Shepard and Dark and then reading their selected letters to each other I like to think I have come to know these two guys intimately. When I came upon the story early in this collection titled San Juan Bautista (Highway 90 West) I immediately already knew the three characters involved in the tale. Sam Shepard, Johnny Dark, and Dennis Ludlow had all been previously introduced to me in other writings I have read. The story was so much fun as I could see and hear Sam and Johnny throughout. Of course a few of the earlier stories in this collection were in their way preparing me for this more personal take on friendship and aging. Grief, sadness, and despair never take a back seat in any of these short tales. A person in his own state and age for reflecting back on a life and what it has meant would be best served by being prepared, well-rested, and warmly fed before taking on the reading of these texts. The absolute certainty of embarking on a long haul with Shepard is not for the feint of heart, nor somebody having weak knees.

One of the most memorable shorts came nearer to the end. It was a more longish piece detailing a trip the family made to their favorite winter destination. Land of the Living portends the trouble and eventual breakup between partners and parents. It was all too real, and still, I miss it. Having finished reading this book I feel a bit out of sorts, as my Sam Shepard fest has come too near to its close. But I am not sure I would have appreciated the stories of Sam Shepard as much had I not first seen the film and read the letters between Johnny and Sam. Their back story is more important than anything I have read, and with some luck, it just might continue.
( )
1 abstimmen MSarki | Jan 24, 2015 |
Shepard is no Barthelme. Some of his recurrent images resonate with me but his attempts to come off as casual and everymanish just feel like lazy writing. What's up with obsession with mutilated heads? ( )
  librarianbryan | Apr 20, 2012 |
This is exactly the kind of collection that one would hope to stumble across while rummaging through Sam Shepard's cupboards. There would be a kind of voyeuristic magic in that scenario. Unfortunately, the brevity of this otherwise engaging melange of miscellany renders the suggested retail price a bit excessive. An enterprising reader can get through the whole book in a single day; there's a lot of blank space on the pages. In this sense, it has more in common with a book of short poems... except without the impacted depth of same. Even so, it is both charming and quintessentially Shepard. ( )
  Narboink | Jun 10, 2011 |
Lots of great one- and two-page stories in this collection. Vivid scenes of life along the highways of America and Mexcico. Little slices of life (and death). Some of the best stories are pure dialogue. One-act plays, in effect. Others are more like random memories than stories. There are some longer, more traditional pieces as well. A smattering of poems, too. It's all good. ( )
1 abstimmen AlRiske | Sep 7, 2010 |
No writer wants to be seen trying -- Shepard's generation, in particular, has prized a seeming effortlessness -- but you can hear the gears grinding in his writing, especially in these stories, and it's part of their deep, abiding appeal. Even better, it's part of their usefulness.
 
Using fanciful anecdotes, lyric riffs, seemingly lifelike reminiscences and quotes from our nation’s founding thinkers, [Shepard] drills down through the strata of our history into the bedrock of American myth.
hinzugefügt von Shortride | bearbeitenThe New York Times, Walter Kirn (Jan 17, 2010)
 
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That’s the mistake I made … to have wanted a story for myself, whereas life alone is enough.
—BECKETT
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To all my family
and those long gone
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I’ve always done my best work in the kitchen. I don’t know why. Cooking stuff up. Maybe that’s it.
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In a series of tales set mainly in the West, a man is trapped inside a restaurant where an endless loop of Shania Twain songs is playing, an actor recounts his teenage debaucheries with an old friend, and a squabbling family remains oblivious to their Yucatán vacation.

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