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Lädt ... Art & Fear: Observations On the Perils (and Rewards) of Artmaking (1985)1,656 | 38 | 10,750 |
(4.04) | 14 | What is your art really about? Where is it going? What stands in the way of getting it there?These are questions that matter, questions that recur at each stage of artistic development-and they are the source for this volume of wonderfully incisive commentary. Art & Fear explores the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way.This is a book about what it feels like to sit in your studio or classroom, at your wheel or keyboard, easel or camera, trying to do the work you need to do. It is about committing your future to your own hands, placing free will above predestination, choice above chance. It is about finding your own work.… (mehr) |
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Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen. Writing is easy: all you do it sit staring at a blank sheet of paper until the drops of blood form on your forehead. — Gene Fowler Life is short, art long, opportunity fleeting, experience treacherous, judgement difficult. — Hippocrates (460-400 B.C.) | |
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Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen. for Jon, Shannon & Ezra | |
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Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen. Making art is difficult. | |
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Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen. Often the work we have not done seems more real in our minds than the pieces we have completed. (pg. 1) Oᴘᴇʀᴀᴛɪɴɢ Mᴀɴᴜᴀʟ ғᴏʀ Nᴏᴛ Qᴜɪᴛᴛɪɴɢ:
A. Make friends with others who make art, and share your in-progress work with each other frequently.
B. Learn to think of [A], rather than the Museum of Modern art, as the destination of your work. (pg. 12) By definition, whatever you have is exactly what you need to produce your best work. (pg. 26) Art is exquisitely responsive. (pg. 49) Unfortunately, healthy artistic environments are about as healthy as unicorns. (pg. 71) Ironically, the artist who would teach is often doomed before ever setting foot in the classroom. (pg. 80) | |
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Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen. | |
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▾Literaturhinweise Literaturhinweise zu diesem Werk aus externen Quellen. Wikipedia auf EnglischKeine ▾Buchbeschreibungen What is your art really about? Where is it going? What stands in the way of getting it there?These are questions that matter, questions that recur at each stage of artistic development-and they are the source for this volume of wonderfully incisive commentary. Art & Fear explores the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way.This is a book about what it feels like to sit in your studio or classroom, at your wheel or keyboard, easel or camera, trying to do the work you need to do. It is about committing your future to your own hands, placing free will above predestination, choice above chance. It is about finding your own work. ▾Bibliotheksbeschreibungen Keine Bibliotheksbeschreibungen gefunden. ▾Beschreibung von LibraryThing-Mitgliedern
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