D. Vincent Baker
Autor von Dogs in the Vineyard: A Role-Playing Game
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The setting is religious: you're one of God's Watchdogs, travelling from town to town dispensing judgement in a Western Frontier-ish society. The religious aspects are important, because the mechanics are aimed at forcing the players to make moral judgements.
This is where it gets cool-sounding. The resolution mechanism (what would be dice-rolling against a stat in D&D) is a bidding system, and you can get extra chips by 'escalating the conflict'. So if you start out trying to win someone over by reason, but you're losing the bidding, you can escalate to fighting, hand-to-hand or with weapons or even guns (it's a Western setting, remember?). Each escalation gets you some more bargaining power, but it also raises the stakes in terms of possible outcomes. The idea is that you should be asking yourself, "is achieving this goal really worth the damage that escalating is going to do?"
It gets even cooler though. Each bid must be narrated ("I raise: I'll quote some Scripture about casting out the eye that offends thee") and if the narration touches on things that are important for the character you can claim extra chips. "Important for the character" is less vague in the rules -- PCs have explicitly stated relationships with other characters and potentially with institutions and even particular sins.
What this adds up to is a very attractive conflict resolution system: it's explicitly designed to use conflict to create meaningful stories. The bidding system gives credit for escalation (increasing the emotional importance of what's going on) and for relating the action to potential story-elements that we already know about. Compare that to the D&D model, where the dice-rolling and table lookup are the least meaningful parts of the gameplay, and you'll see why I'm tempted to actually give this one a try.… (mehr)