A. C. Cawley (1913–1993)
Autor von Everyman and medieval miracle plays
Über den Autor
Werke von A. C. Cawley
Zugehörige Werke
Sir Gawain and the Green Knight / Pearl / Cleanness / Patience (1300) — Herausgeber, einige Ausgaben; Herausgeber, einige Ausgaben — 576 Exemplare
Pearl Cleanness & Sir Gawain (Everyman's Classics) (1656) — Herausgeber, einige Ausgaben — 7 Exemplare
Medieval literature and civilization : studies in memory of G. N. Garmonsway (1969) — Herausgeber — 4 Exemplare
Research Opportunities in Renaissance Drama XIII / XIV (1970-71) — Mitwirkender — 1 Exemplar
Getagged
Wissenswertes
- Gebräuchlichste Namensform
- Cawley, A. C.
- Rechtmäßiger Name
- Cawley, Arthur Clare
- Geburtstag
- 1913-11-21
- Todestag
- 1993-01-07
- Geschlecht
- male
- Nationalität
- UK
- Geburtsort
- Medway, Kent, England, UK
- Sterbeort
- Brisbane, Queensland, Australia
- Wohnorte
- Iasi, Romania
Egypt
Benghazi, Libya
Reykjavík, Iceland
London, England, UK
Brisbane, Queensland, Australia (Zeige alle 9)
Yugoslavia
Sheffield, South Yorkshire, England, UK
Leeds, Yorkshire, England, UK - Ausbildung
- University College London (BA|1934|MA|1938)
University of London (Ph.D|1952)
Harvard University
University of Hull - Berufe
- Professor of English Language and Medieval Literature
Darnell Professor of English - Beziehungen
- Cawley, Winifred (wife)
- Organisationen
- University of Leeds
University of Queensland
British Council - Preise und Auszeichnungen
- Commonwealth Fellowship
Mitglieder
Rezensionen
Listen
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Anyhow, there are a range of plays from a range of cycles in this book, each taking on a Christian story in rhyming verse with a small number of actors. There’s a little bit of historical context, and some glossing for the more difficult medieval and/or Northern English words, but beyond that, all you really get is the plays themselves. The verse styles they’re written in are pretty varied, which each playwright clearly having his own voice. The guy whose meter and rhyme were all over the place so that the play basically read as free verse was my favourite, I think.
And the playwrights could tell a good story. A lot of the speeches read as kind of didactic and heavy-handed today (‘twas the genre and the era, after all) but they’re still pretty engaging and I can easily picture amateur over-actors speaking the lines. It suits that style very well. And, because this is the Middle Ages, there’s also a fair bit of broad humour and slices of medieval life thrown in, like the shepherd who steals a sheep and hides it in a crib, then gets thrashed by his colleagues when discovered. It definitely makes the stories a bit different and more amusing, and being able to read the plays today provides a nice window into medieval worldviews and tastes.
The only thing I really wish had been better was some of the commentary. I’d have liked a bit more annotation beyond the glosses and more information on each play and its players than the few paragraphs we get. (Mostly I think this is an artifact of reading an older version of this collection; we’ve learned a lot in the last 70 years and I think a newer edition would have different info.)
Really, that’s about all I can say. I enjoyed the read and, as I’ve said, found it pretty interesting from a socio-historical perspective. If you’re interested in the topic, I’d certainly recommend!
8/10
Contains: A lot of Christian content, and an equally large amount of Middle English. If you don’t like your Bible stories mixed with broad comedy, this may not be for you. The rhythms of the poetry might get stuck in your head.… (mehr)