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Werke von Deborah Pike

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TBH this blurb doesn't even hint at the riches in this novel.

Felix (who's on exchange and is supposed to be studying something else) has made a choice of play that's ambitious. It's The Marriage of Figaro, a comedy in five acts, written in 1778 by Pierre Beaumarchais. This subversive play was banned in pre-revolutionary France because of its focus on class tensions and the limitations of rank and privilege. Most of us know this play better as Mozart's 1786 opera, which was approved for performance in Vienna because its political intent was strategically sanitised by the Italian librettist Lorenzo Da Ponte. (Rulers in Europe and Britain were wary of anything inflammatory that might provoke copycat revolutions in this era). So the Da Ponte Figaro replaces the denunciation of inherited nobility with an aria about unfaithful wives. (See A Guide to The Marriage of Figaro by Hannah Nepoliva at the BBC Classical Music magazine.)

Felix's cast is a bunch of university students whose preoccupations (mirroring the mayhem in Figaro) are more often with each other than with realising the dramatic effects of a French play. But like the dramatis personae of the play and the opera, they come from very different social backgrounds and ethnicities, which spark into assumptions, entitlements, misunderstandings, rejections, and betrayals. And sometimes, intense discomfort:
Ah yes, The Birthday party. She'd felt like an imposter, smuggled in by Lucas to see the lives of the idle rich: the delicate glasses, the meticulously crafted morsels on silver trays. Shiny people with neat edges and no stray threads, conversations trailing into nothing. The birthday boy standing too close to too many women, a toothy smile on his face. (p.15)


At twenty, Veronika feels the chasm in so-called egalitarian Australian society:
She still found it hard to believe she was studying at university. The only other person in her family to do so had been her great-grandfather, who had studied mathematics in Prague just before the century turned. Her father was the son of Czech immigrants, had bought fifteen acres at the age of twenty-six, made a market farm in Mundaring in the Perth Hills. Her mother, Angela, had grown up on a farm in the Avon Valley, and was then courted by Michal Vaček with baskets of apples and pears. [...] ...she'd never expected a daughter to study French, philosophy and literature. It was, she'd said, a bit of a surprise, a lot of surprise really. (p.15)


The first disaster occurs when one of them persists with smoking in the university's rehearsal space, and they get booted out, with very little time to find another venue. Veronika, however, does a deal with her father, the orchardist whose parents fled communism in Bohemia: if the players will help with the harvest, they can do the play in the orchard. This change of venue brings her back into contact with Joshua, who's had a rough start in life and is therefore too easily dismissed as a rival by charming, handsome, rich, privileged Sebastian. Who is, as we say in Australia, 'up himself.' That doesn't stop Cassie from fancying him, even though he dismisses her too because she isn't gorgeous like Veronika. And while Veronika dallies with Sebastian, Joshua-on-the-rebound bonds with Gloria who's still under the thumb of her mother Who Would Not Approve.

You get the drift. Everybody is in love with the wrong person, but this isn't a silly romcom.

To read the rest of my review please visit https://anzlitlovers.com/2024/03/04/the-players-2024-by-deborah-pike/
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anzlitlovers | Mar 7, 2024 |

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2