Anatoli Rybakov (1911–1998)
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- Gebräuchlichste Namensform
- Rybakov, Anatoli
- Rechtmäßiger Name
- Рыбаков, Анатолий Наумович
Rybakov, Anatoly Naumovich - Geburtstag
- 1911-01-14
- Todestag
- 1998-12-23
- Begräbnisort
- Kuntsevo Cemetery, Moskou, Rusland
- Geschlecht
- male
- Nationalität
- Rusland
- Land (für Karte)
- Russia
- Geburtsort
- Chernigov, Russisch Keizerrijk
- Sterbeort
- New York, New York, USA
- Wohnorte
- Moskou, Rusland
New York, New York, VS - Ausbildung
- Moscow State University of Railway Engineering
- Berufe
- ingenieur
- Organisationen
- Russian Army (WWII)
- Preise und Auszeichnungen
- Stalin Prize (1948, 1951)
Doctorate of Tel Aviv University
Order of the Red Banner of Labour
Order of the Patriotic War, first class (twice, 1985)
Order of the Patriotic War, Second Degree
Order of Friendship of Peoples - Kurzbiographie
- His third wife was Tatyana and his sons Alexander and Alexei.
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Yet after 1,400 pages, as riveting as Rybakov’s portrayals are, as terrifying as his renderings of everyday life, as successful as his recreation of life and lives, I was disappointed at Rybakov’s failure to address the larger questions that his story so clearly raises. For instance, Rybakov creates an almost spellbinding account of a well-placed (socially) individual who runs afoul of the NKVD. From the tension of merely waiting for the next telephone call to the dread and panic of an interrogation, it’s almost inconceivable that the relationship could be portrayed better. But, as evocative as the writing is, it never seeks serious answers to the great questions.
Irving Howe, an American literary critic (active from about 1950-1990) wrote this in 1988: “At no point does he venture beyond prescribed Leninist orthodoxy…. Neither in his own right nor through his characters…does the novelist ask whether the Bolshevik exaltation of 'the party'…smoothed Stalin's rise to power. (In this respect, Vassily Grossman's Life and Fate, another recently translated Soviet novel about Stalinism, is much bolder.) … The criticism I'm making here, a literary criticism, is not that Anatoly Rybakov or his characters fail to provide congenial answers but that they fail to grapple deeply with inescapable questions. Or to put it another way… the subject he has chosen…requires [either the author or his characters or both to engage in] sustained and independent reflection.”
I think Howe is right. The story itself (the characters, the line-by-line writing) is great; it demands deeper thought which Rybakov fails to provide. And so as much as I liked the story, I was disappointed in the work as a whole.… (mehr)