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The Oxford Book of Sea Songs (1986)

von Roy Palmer

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The sea song holds a special mystery for many, and the sailor's life has a romantic aura all its own. For centuries, songs about the sea have buoyed sailors' spirits throughout their adventures and misfortunes. Bawdy, lyrical, and sentimental, sea songs--often composed by the sailors themselves--relate every aspect of nautical life, from mutiny and shipwreck to pressgangs and piracy to relations with wives and sweethearts. This anthology gathers together 176 sea songs, including tunes wherever possible, ranging geographically across the seven seas and in time from the 1560s ("John Dory") to 1979 ("The Final Trawl"). The shanty, sung to accompany heavy labor, "was like a shot of grog to the men," according to one old sailor; one of the best known is "Blow the Man Down" (c. 1850s). Songs sung for recreation, called forebitters or shore songs, were as often comic and frivolous as they were melancholy. Though the purpose of sea songs was not primarily aesthetic, there is poetry in the vivid energy of the language and in the many moods it evokes. A wealth of historical and technical detail gives fascinating backtground to the songs, and a glossary of nautical terms is also included. About the Editor: Roy Palmer is the editor of many anthologies of folk songs and ballads, including Everyman's Book of English Country Songs and E's Book of British Ballads.… (mehr)
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with music
  littleship | Mar 6, 2009 |
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For my wife, Pat
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INTRODUCTION
John Masefield, pointing out that the literature of the sea in English has 'no great epic poem on the deeds of our sailors', added that 'the ballad singers have done their best for us'.
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The sea song holds a special mystery for many, and the sailor's life has a romantic aura all its own. For centuries, songs about the sea have buoyed sailors' spirits throughout their adventures and misfortunes. Bawdy, lyrical, and sentimental, sea songs--often composed by the sailors themselves--relate every aspect of nautical life, from mutiny and shipwreck to pressgangs and piracy to relations with wives and sweethearts. This anthology gathers together 176 sea songs, including tunes wherever possible, ranging geographically across the seven seas and in time from the 1560s ("John Dory") to 1979 ("The Final Trawl"). The shanty, sung to accompany heavy labor, "was like a shot of grog to the men," according to one old sailor; one of the best known is "Blow the Man Down" (c. 1850s). Songs sung for recreation, called forebitters or shore songs, were as often comic and frivolous as they were melancholy. Though the purpose of sea songs was not primarily aesthetic, there is poetry in the vivid energy of the language and in the many moods it evokes. A wealth of historical and technical detail gives fascinating backtground to the songs, and a glossary of nautical terms is also included. About the Editor: Roy Palmer is the editor of many anthologies of folk songs and ballads, including Everyman's Book of English Country Songs and E's Book of British Ballads.

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