In this case, the whole is less than the sum of the parts. There are surely amazing stories here, but McDonald covers so much ground that they seem unremarkable and forgettable.

> “Communist time was so nice for us because we didn’t have to work...Two months with the painting jobs and it was enough; then we can go for six months to the Himalaya.” Together with university professors, doctors, and engineers, Krzysztof painted towers and smokestacks—and climbed. “I painted almost the whole of Silesia ...the Katowice steelworks, mines, buildings, conveyor belts, chimneys of heat-generating plants, water towers ...from Trzebnia to Zabrze,” he claimed. “Time had no value back then. We did what we wanted: we met at the mountaineers’ club, we dreamt, we made plans, and then set out to the mountains! As grown-ups, we were at a permanent party, having quit our professions, not knowing that in a few years’ time capitalism would also come to us.”

> This exuberance of creative expression wasn’t limited to climbers. There was an abundance of artists and writers who thrived creatively during those severely repressed years in Poland. The censorship industry, rather than stifle, seemed to actually stimulate the artistic community. Like the climbers, artists became stronger through oppression; their most creative work came out of the darkest days. When repression collapsed, they collapsed too. They had no idea how to communicate without being rebels.

> Leszek attributed Poland’s great record in the mountains to a much more banal reason: sheer numbers. “There was a veritable army of climbers,” he said. “It was inevitable that some would rise to the top.” He pointed out that, for more than a decade, there were 10 to 15 Polish expeditions mounted each year to the Himalaya. Those climbers who rose to the top became famous, but there were hundreds more who didn’t, despite their phenomenal climbs.

> Each of these stars had his or her own idée fixe. For Wanda it was to be the first woman to wear the Himalayan Crown; for Jurek it was Lhotse’s South Face; for Andrzej and Krzysztof it was all about winter climbs; and for Voytek it was the West Face of K2.

> As each of the Himalayan powerhouses—Britain, Poland, Slovenia, and Russia—improved their standards of living and economic situations, fewer of their climbers were willing to commit themselves to the mountains. It would entail a vow of poverty, no longer much in fashion. ( )

Escaladores de la libertad cuenta la historia de un grupo de extraordinarios alpinistas polacos –Jerzy Kukuczka, Voytek Kurtyka, Wanda Rutkiewicz, Krzysztof Wielicki, Andrzej Zawada, Artur Hajzer…– que emergieron bajo el manto de opresión que siguió a la Segunda Guerra Mundial para convertirse en la vanguardia de la escalada en el Himalaya.
A pesar de que vivían en una Polonia triste, lóbrega y arrasada por la guerra, sin atisbos de esperanza de tener una vida digna, estos inquietos, motivados y capaces montañeros crearon su propia economía de libre mercado frente a las mismísimas narices de los mandos comunistas y escalaron las vías que les condujeron a su liberación.
En una época en la que los ciudadanos polacos estaban bloqueados tras el Telón de Acero, estos intrépidos exploradores hallaron una manera de moverse por el mundo en busca de aventuras extremas. Viajaron a las más altas y cautivadoras montañas del mundo: los Himalayas. Y se convirtieron en el grupo más tenaz de himalayistas que haya conocido el mundo.
Bernadette McDonald teje una apasionada y literaria historia de aventura, política y muerte, pero sobre todo de motivación. Una gran historia que ha conseguido el reconocimiento de los premios literarios de montaña más prestigiosos:
American Alpine Club Literary Prize (USA), 2012

Premio Munday, Banff Mountain Festival (CANADÁ), 2012

Premio Boardman Tasker, Kendal Mountain Festival (REINO UNIDO), 2011 (Resumen de la Editorial Desnivel. Doando a La Comarca por Mercedes Mora)

Cuenta la historia de un grupo de extraordinarios alpinistas polacos-Kukucka, Kurtyka, Wanda, Krzysztof.....- que emergieron bajo el manto de opresión que siguió a la II Guerra mundial para convertirse en la vanguardia de la escalada en el Himalaya. ( )