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Witho Worms - Cette Montagne C'est Moi (Dutch, French, English, German and Polish Edition)

von Xavier Canonne

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In January 2006 Witho Worms started to photograph terrils or slagheaps in Belgium, France, Germany, Wales and Poland. These mountains are the visual remnants of the coal mining industry. In Europe these black pyramids are the symbols of a vanishing era that began with the industrial revolution and has now evolved into an age dominated by binary code. For this project Worms has reformulated the 19th century technique of carbon printing. From every mountain he photographed he took some coal, ground it into a pigment which he then used to print his negatives. Various shades of brown and black reflect the specific constitution of the terrils. The photographs show us the socio-political reality of the last 100 years and reflect the changing relationship between man and his environment… (mehr)
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Cette Montagne Cest Moi / Witho Worms
22 x 24 centimeter / 176 pages, Japanse binding, softcover / texts by Xavier Canonne and Witho Worms (Dutch, French, German, English and Polish) / Design: Hans Gremmen / Printed entirely on black paper, printed in 2 x White, Cyan, Magenta and Yellow / €60,00 (excluding shipping charges) / ISBN 978-94-90119-14-0
‘‘Cette montagne c’est moi’ is about me. Translated literally, it means ‘This mountain that’s me’. It was initially an association of image and meaning that led to the subject matter. The carbon in coal is the same carbon referred to in carbon printing. Carbon printing is a photographic printing process that is excellently suited for reproducing dark tones.
For this project I developed a variation on the carbon printing process, a photographic printing technique from the 19th century. I took a bit of coal from every mountain I photographed. I then ground this coal into a pigment that I used to make photographic paper. I used this paper to make a print of a mountain with the coal originating from that mountain. In other words, the object of the photo, the mountain, has become one with the subject of the photo, the print itself.' – Witho Worms
  boekieboekie | Jul 10, 2012 |
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In January 2006 Witho Worms started to photograph terrils or slagheaps in Belgium, France, Germany, Wales and Poland. These mountains are the visual remnants of the coal mining industry. In Europe these black pyramids are the symbols of a vanishing era that began with the industrial revolution and has now evolved into an age dominated by binary code. For this project Worms has reformulated the 19th century technique of carbon printing. From every mountain he photographed he took some coal, ground it into a pigment which he then used to print his negatives. Various shades of brown and black reflect the specific constitution of the terrils. The photographs show us the socio-political reality of the last 100 years and reflect the changing relationship between man and his environment

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