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Kurze Berührungen mit dem Feind: Erzählungen

von Said Sayrafiezadeh

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362681,027 (4.06)8
"The first short story collection from a writer who calls to mind such luminaries as Denis Johnson, George Saunders, and Nathan Englander When The New Yorker published a short story by Saïd Sayrafiezadeh in 2010, it marked the emergence of a startling new voice in fiction. In this astonishing new book, Sayrafiezadeh conjures up a nameless American city and its unmoored denizens: a call-center employee jealous of the attention lavished on a co-worker newly returned from a foreign war; a history teacher dealing with a classroom of maliciously indifferent students; a grocery store janitor caught up in a romantic relationship with a kleptomaniac customer. These men's struggles and fleeting triumphs--with women, with cruel bosses, with the morning commute--are transformed into storytelling that is both universally resonant and wonderfully strange. Sometimes the effect is hilarious, as when a would-be suitor tries to take his sheltered, religious date on a "Love Boat" carnival ride. Other times it's devastating, as in the unforgettable story that gives the book its title: A soldier on his last routine patrol on a deserted mountain path finally encounters "the enemy" he's long sought a glimpse of. Upon giving the author the Whiting Writers' Award for his memoir, When Skateboards Will Be Free, the judges hailed his writing as "intelligent, funny, utterly unsmug and unpreening." These fiercely original stories show their author employing his considerable gifts to offer a lens on our collective dreams and anxieties, casting them in a revelatory new light. Advance praise for Brief Encounters with the Enemy "Saïd Sayrafiezadeh is a masterly storyteller, working from deep in the American grain. This is a splendid fiction debut."--Philip Gourevitch, author of The Ballad of Abu Ghraib "In this beautiful collection, we see the wages of war, brought very close to home."--Dani Shapiro, author of Devotion "Bizarre and compelling and painfully funny, and something else, too: important."--John Wray, author of Lowboy "A vivid collection about the indignities and consolations of dead-end jobs, the joy of a stolen kiss, and the mysteries of friendship."--Nathaniel Rich, author of Odds Against Tomorrow "Saïd Sayrafiezadeh is a slyly subversive absurdist whose true subject is the deeply serious matter of our obligations to one another as human beings."--John Burnham Schwartz, author of Northwest Corner "Fun, moving, and reads like the work of a master."--Darin Strauss, author of Half a Life "Gritty, compelling stories about our embattled working class. This is a thrilling report from the trenches."--Edmund White, author of Jack Holmes and His Friend "Perfectly calibrated, laced with hard-earned moments of vulnerability, rendered in language that is at once plainspoken and lyrical."--Teddy Wayne, author of The Love Song of Jonny Valentine"--"An unnamed American city feeling the effects of a war waged far away and suffering from bad weather is the backdrop for this startling work of fiction. The protagonists are aimless young men going from one blue collar job to the next, or in a few cases, aspiring to middle management. Their everyday struggles--with women, with the morning commute, with a series of cruel bosses--are somehow transformed into storytelling that is both universally resonant and wonderfully uncanny. That is the unsettling, funny, and ultimately heartfelt originality of Saïd Sayrafiezadeh's short fiction, to be at home in a world not quite our own but with many, many lessons to offer us"--… (mehr)
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I ended up liking this quite a bit. It needs to be read all together—the stories are not so much linked as forming a kind of wallpaper, a zeitgeist of an unnamed 21st-century mid-American town and an unnamed 21st-century war, from the viewpoint of a series of mid-level-achieving young white men. They have vaguely antagonistic relationships with other guys, vaguely aspirational relationships with women, not much in the way of ambition. I realize that doesn't make them sound particularly attractive as subjects, but that's pretty much the point—they're both real and allegorical at the same time.

The stories themselves are a bit myth-like, in the way certain male writers at the beginning of the last century would write about the war in stories that were close to parables, but not quite. The key here being that Sayrafiezadeh has good control over both his writing and his myth-making, and the collection as a whole added up to something interesting. I definitely want to go back and read his memoir now. ( )
  lisapeet | Jul 20, 2014 |
This is an evocative collection of stories linked by place and time, rather than by characters. I'm guessing Pittsburgh or some other rustbelt city in the 90's.
The last story in this collection blew me away. The baseness of Walmart is laid bare in the heartbreaking description of a photograph of a 10 year old shoplifter mounted on a "wall of shame" in the employee breakroom. It is an image I will not soon forget. ( )
1 abstimmen molugum | May 24, 2013 |
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"The first short story collection from a writer who calls to mind such luminaries as Denis Johnson, George Saunders, and Nathan Englander When The New Yorker published a short story by Saïd Sayrafiezadeh in 2010, it marked the emergence of a startling new voice in fiction. In this astonishing new book, Sayrafiezadeh conjures up a nameless American city and its unmoored denizens: a call-center employee jealous of the attention lavished on a co-worker newly returned from a foreign war; a history teacher dealing with a classroom of maliciously indifferent students; a grocery store janitor caught up in a romantic relationship with a kleptomaniac customer. These men's struggles and fleeting triumphs--with women, with cruel bosses, with the morning commute--are transformed into storytelling that is both universally resonant and wonderfully strange. Sometimes the effect is hilarious, as when a would-be suitor tries to take his sheltered, religious date on a "Love Boat" carnival ride. Other times it's devastating, as in the unforgettable story that gives the book its title: A soldier on his last routine patrol on a deserted mountain path finally encounters "the enemy" he's long sought a glimpse of. Upon giving the author the Whiting Writers' Award for his memoir, When Skateboards Will Be Free, the judges hailed his writing as "intelligent, funny, utterly unsmug and unpreening." These fiercely original stories show their author employing his considerable gifts to offer a lens on our collective dreams and anxieties, casting them in a revelatory new light. Advance praise for Brief Encounters with the Enemy "Saïd Sayrafiezadeh is a masterly storyteller, working from deep in the American grain. This is a splendid fiction debut."--Philip Gourevitch, author of The Ballad of Abu Ghraib "In this beautiful collection, we see the wages of war, brought very close to home."--Dani Shapiro, author of Devotion "Bizarre and compelling and painfully funny, and something else, too: important."--John Wray, author of Lowboy "A vivid collection about the indignities and consolations of dead-end jobs, the joy of a stolen kiss, and the mysteries of friendship."--Nathaniel Rich, author of Odds Against Tomorrow "Saïd Sayrafiezadeh is a slyly subversive absurdist whose true subject is the deeply serious matter of our obligations to one another as human beings."--John Burnham Schwartz, author of Northwest Corner "Fun, moving, and reads like the work of a master."--Darin Strauss, author of Half a Life "Gritty, compelling stories about our embattled working class. This is a thrilling report from the trenches."--Edmund White, author of Jack Holmes and His Friend "Perfectly calibrated, laced with hard-earned moments of vulnerability, rendered in language that is at once plainspoken and lyrical."--Teddy Wayne, author of The Love Song of Jonny Valentine"--"An unnamed American city feeling the effects of a war waged far away and suffering from bad weather is the backdrop for this startling work of fiction. The protagonists are aimless young men going from one blue collar job to the next, or in a few cases, aspiring to middle management. Their everyday struggles--with women, with the morning commute, with a series of cruel bosses--are somehow transformed into storytelling that is both universally resonant and wonderfully uncanny. That is the unsettling, funny, and ultimately heartfelt originality of Saïd Sayrafiezadeh's short fiction, to be at home in a world not quite our own but with many, many lessons to offer us"--

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