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Lädt ... The Last of the Barons (1843)107 | 1 | 254,531 |
(2.63) | 6 | The Last of the Barons has been by many esteemed the best of the Author's romances; and perhaps in the portraiture of actual character, and the grouping of the various interests and agencies of the time, it may have produced effects which render it more vigorous and lifelike than any of the other attempts in romance by the same hand. It will be observed that the purely imaginary characters introduced are very few; and, however prominent they may appear, still, in order not to interfere with the genuine passions and events of history, they are represented as the passive sufferers, not the active agents, of the real events. Of these imaginary characters, the most successful is Adam Warner, the philosopher in advance of his age; indeed, as an ideal portrait, I look upon it as the most original in conception, and the most finished in execution, of any to be found in my numerous prose works, _Zanoni_ alone excepted. -- Edward George Bulwer-Lytton… (mehr) |
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Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen. Westward, beyond the still pleasant, but, even then, no longer solitary hamlet of Charing, a broad space broken, here and there, by scattered houses and venerable pollards, in the early spring of 1467, presented the rural scene for the sports and pastimes of the inhabitants of Westminster and London. | |
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Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen. Mechanically Elizabeth turned her moistened eyes from Edward to Edward's bother, and suddenly, as with a mother's prophetic instinct, clasped her infant closer to her bosom, when she caught the glittering and fatal eye of Richard, Duke of Gloucester (York's young hero of the day, Warwick's grim avenger in the future), fixed upon that harmless life--the only life, save the despised and powerless Clarence, whose destiny it needed no wisdom to foresee,--which stood between the ambition of a ruthless intellect and the heritage of the English throne! (Zum Anzeigen anklicken. Warnung: Enthält möglicherweise Spoiler.) | |
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▾Literaturhinweise Literaturhinweise zu diesem Werk aus externen Quellen. Wikipedia auf EnglischKeine ▾Buchbeschreibungen The Last of the Barons has been by many esteemed the best of the Author's romances; and perhaps in the portraiture of actual character, and the grouping of the various interests and agencies of the time, it may have produced effects which render it more vigorous and lifelike than any of the other attempts in romance by the same hand. It will be observed that the purely imaginary characters introduced are very few; and, however prominent they may appear, still, in order not to interfere with the genuine passions and events of history, they are represented as the passive sufferers, not the active agents, of the real events. Of these imaginary characters, the most successful is Adam Warner, the philosopher in advance of his age; indeed, as an ideal portrait, I look upon it as the most original in conception, and the most finished in execution, of any to be found in my numerous prose works, _Zanoni_ alone excepted. -- Edward George Bulwer-Lytton ▾Bibliotheksbeschreibungen Keine Bibliotheksbeschreibungen gefunden. ▾Beschreibung von LibraryThing-Mitgliedern
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