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Lädt ... The Corrupted Part One: Part Onevon G. F. NewmanKeine Lädt ...
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I first became aware of this book after hearing the excellent dramatisation on BBC Radio Four of the second volume of the book while driving through the Scottish Highlands, and was eager to try to catch up on the earlier action. I was a little concerned that the book mioght prove to be a disappointment after the mastery of the radio presentation, but such fears were soon laid to rest. Newman has obvioulsy done extensive (perhaps even exhaustive) research and clearly knows his material in intricate detail. He uses this sparingly, though, and does not weigh don the reader with excessive historical references - the presence of real characters serves to lend a deep patina of verisimilitude.
The story is often pretty grim. Indeed, the opening scene, set amid preparations for the celebrations of the Festival of Britain in 1951, is a flashback in the mind of young Brian Oldman to the sight of his mother, Catherine Oldman (nee Braden) battering his grandfather to death. The only other witness to this attack is Joey, Brian's father and Catherine's husband. The body is left hidden in the cluttered yard of a factory which, fortuitously, is hit that evening by a stray German bomb. We gradually learn that this murderous assault was prompted by Catherine having caught her seemingly preparing to abuse the unaware Brian. It is only much later on that we discover that he had abused Catherine at length during her only childhood and teenage years. The memory of this incident not surprisingly stays with Brian for the rest of his life.
Catherine's younger brother is Jack Braden who is obsessed with boxing, and wants a shot at the World Light Heavyweight Championship. He really could have been a contender, and much of his early life is spent in vigorous training to follow this path. Jack does, however, also find himself on the fringes of a criminal subculture which increasingly lures him to become a 'player', and he is soon regularly involved in robberies for which his physical fitness and prowess as a fighter leave him particularly well suited. It is as this stage that he first crosses the Kray twins who are then just starting out on their eventual rise to dominate the east end of London.
Before each episode of the radio version the announcers give a warning that the drama contains 'violence, prejudicial dialogue and attitude prevalent in the time in which the events depicted took place'. It is certainly not for the faint-hearted, though the language is never gratuitous.
The plot twists and turns in a sinuous dance, peppered with references to the changing times as the London population emerged from the post-war austerity into the swinging sixties and beyond. As appetites for consumerism take increasing strong hold, so do the criminals' scope for advancement, cashing in on all aspects of lie.
I understand that Newman intends to take the story right up to the 1980s, and I am eagerly awaiting subsequent instalments.
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