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Lädt ... Year of the Fat Knight: The Falstaff Diariesvon Antony Sher
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Year of the Fat Knight is Antony Sher's account - splendidly supplemented by his own paintings and sketches - of researching, rehearsing and performing one of Shakespeare's best-known and most popular characters, Sir John Falstaff, in the Royal Shakespeare Company's 2014 production of both parts of Henry IV, directed by Gregory Doran. Both the production and Sher's Falstaff were acclaimed by critics and audiences - with Sher winning the Critics' Circle Award for Best Shakespearean Performance - and the shows transferred from Stratford to London, and then to New York, where Charles Isherwood in the New York Times described Sher's Falstaff as 'one of the greatest performances I've ever seen'. This fascinating book tells us how Sher had initial doubts about playing the part at all, how he sought to reconcile Falstaff's obesity, drunkenness, cowardice and charm, how he wrestled with the fat suit needed to bulk him up, and how he explored the complexities and contradictions of this comic yet often dangerous personality. On the way, he paints a uniquely close-up portrait of the RSC at work. Year of the Fat Knight is a terrific read, rich in humour and with a built-in tension as opening night draws relentlessly nearer. It also stands as a celebration of the craft of character acting. It ranks alongside Year of the King - Sher's seminal account of playing Richard III - as a consummate depiction of the creation of a giant Shakespearean role. Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)792.028092The arts Recreational and performing arts Stage presentations, Theatre Standard subdivisions and types of stage presentation Techniques, procedures, apparatus, equipment, materials, miscellany Acting and Performance History, geographic treatment, biography BiographyKlassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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In “Year of the Fat Knight - The Falstaff Diaries” by Antony Sher
Reading stuff like this, always awakens my creative streak. Here's a little something for your (and my own) enjoyment I've just written that I think aptly summarises Sher's book:
We really do need some protection
From the spread of the ‘rising enunciation’
Phrases go up? Just at the end?
Drives me completely ‘round the bend
Please don’t do it, it’s annoying?
So monotonous and cloying
Up-talk gives me indigestion
Everything becomes a question!
Form a Society of Abatement
Don’t Make A Question Out Of A Statement!!!
It doesn’t make a lot of sense,
And shows a lack of confidence
Who’re the culprits? Not Westphalians
Personally, I blame South Africans
How can something so iniquitous
Become so globally ubiquitous?
From Durban to Central Park
Hangs a giant question mark ( )