Auf ein Miniaturbild klicken, um zu Google Books zu gelangen.
Lädt ... Thomas Bernhard: The Making of an Austrianvon Gitta Honegger
Keine Lädt ...
Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. Having read already the exhausting autobiographical work by Bernhard titled Gathering Evidence, I really got little here I was that interested in. I go to Bernhard for his novels and stories, and not so much for his plays which were played a little top-heavy in my opinion regarding this book. But the text was fine, I enjoyed much of it, and I am glad I read it. I did learn more about the so-called aunt that I had not understood completely prior to this study. I would recommend this book to anyone very knowledgeable already with Thomas Bernhard. I am not sure how much help this book would be to the uninitiated. Zeige 2 von 2 keine Rezensionen | Rezension hinzufügen
Auszeichnungen
Thomas Bernhard (1931-1989), a literary figure of international acclaim and arguably Austria's greatest post-World War II writer, became the first of his generation to expose unrelentingly his country's pathological denial of complicity in the Holocaust. Bernhard's writings and indeed his own biography reflect Austria's fraught efforts to define itself as a nation following the collapse of the Habsburg monarchy and the trauma of World War II. Repeatedly he scandalized the nation with novels, plays, and public statements that exposed the convoluted ways Austrians were attempting to come to terms with their Nazi past -- or defiantly avoiding doing so. This book, the first comprehensive biography of Thomas Bernhard in English, examines his life and work and their intricate relationship to Austria's geographical, political, and cultural transformations in the twentieth century.While Bernhard was the scourge of his native culture, Gitta Honegger explains, he was also a product of that same culture. Appreciation of his controversial impact on his society is possible only through an understanding of the contradictions, the shame, and the achievements that mark Austrians' self-perception in the postwar years. Honegger shows that for Bernhard the theater was not only a profession but also a paradigm for his life, and that performance was the primary force animating his writing and self-construction. Even after his death, Bernhard's carefully constructed biography continues to fascinate, shock, and expose the Austrian culture at large. Keine Bibliotheksbeschreibungen gefunden. |
Aktuelle DiskussionenKeineBeliebte Umschlagbilder
Google Books — Lädt ... GenresMelvil Decimal System (DDC)838.91409Literature German and related languages Miscellaneous German writings 1900- 1900-1990 1945-1990 Individual authors not limited to one specific form : description; critical appraisal; biography; collected worksKlassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
Bist das du?Werde ein LibraryThing-Autor. |
That said, it would be nice if someone would a) write a good one, or b) even translate one from German. Because this is a hot mess. If you want proof of that, consider that Honegger used to work at Yale; it's published by Yale; and the only positive text they could find for a blurb was by... a professor at Yale.
I imagine this is how this book made it into the world:
i) Honegger, who works on drama and theatre, had some interesting ideas about Bernhard as dramatist.
ii) An editor at Yale got wind of this, and decided that instead of an academic monograph about Bernhard's theatrical works, Honegger should write a biography.
iii) Honegger, who knows about Bernhard's life, thinks that's a great idea, because Bernhard's life is *hand fucking made* for biography. Great origin story, great trauma, weird relationships, great success, great posthumous fun.
iv) The editor who decided that Honegger should write a biography proceeds to go on holiday. Honegger freaks out, because she doesn't know how to write a biography. Editor doesn't care, his/her work is just throwing out good ideas, not helping authors.
v) Book is published as a hot mess.
What kind of mess? The repetitive, narrative-less, 'thematic chaptered', let's-write-a-journal-article-then-stretch-it-out-into-a-book-and-stick-in-a-few-biographical-details-and-a-whole-bunch-of-plot-summaries-so-we-can-market-it-as-a-biography kind. There's no sense here that you might like to tell us about Bernhard's writing or life in, you know, order. The argument is perfectly good (Bernhard 'stages' his life; English majors will be familiar with this from a little period we like to call "the Renaissance"), but not at all interesting compared to, for instance, his tuberculosis, his novels, his weird relationships with women, his *bonkers* family, his hatred for almost everyone, etc etc...
So, thanks to Honegger, but we'd all be better off if she wrote a good book about his drama (I'm sure she could), and someone else wrote a good biography. ( )