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(3.6) | 2 | When college student Brad Putnam turns up dead in his bedroom in his Boston apartment, Homicide Detective Timothy Quinn is baffled by the crime scene and decides to seek the help of art history professor Sweeney St. George to make sense of the evidence. An expert on "the art of death," Sweeney immediately identifies the objects found on the body as mourning jewelry-and discovers that she knew the victim. Brad Putnam was taking her class on that very subject. Sweeney is shocked by Brad's death, and determined to help Detective Quinn unravel the mystery of Brad's death. They soon discover this is not the first tragedy to strike the Putnams, a prominent Boston family. Peter Putnam, Brad's brother, died in a terrible car accident years earlier. But the cause of the accident was never discovered, as the Putnam family covered up what happened and refused to cooperate with the police. Detective Quinn warns Sweeney not to get too involved in the Brad Putnam investigation but as she gets closer to the Putnam family, she becomes even more determined than ever to find out what happened. Haunted by secrets in her own past, Sweeney dissects the family's history and begins to realize that she may uncover secrets that were never meant to surface. Sarah Stewart Taylor's intricate and engaging follow-up to her acclaimed Agatha Award finalist debut, " O'Artful Death, " is an absorbing and suspenseful novel about love and family, secrets and lies-and murder.… (mehr) |
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Die Informationen stammen von der englischen "Wissenswertes"-Seite. Ändern, um den Eintrag der eigenen Sprache anzupassen. It was Belinda's favorite time of year, the three or four weeks of early spring when winter was transformed into something else, some halfway season that smelled of percolating earth and trickling streams. (Prologue: 1863) | |
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▾Literaturhinweise Literaturhinweise zu diesem Werk aus externen Quellen.  Wikipedia auf Englisch
Keine ▾Buchbeschreibungen When college student Brad Putnam turns up dead in his bedroom in his Boston apartment, Homicide Detective Timothy Quinn is baffled by the crime scene and decides to seek the help of art history professor Sweeney St. George to make sense of the evidence. An expert on "the art of death," Sweeney immediately identifies the objects found on the body as mourning jewelry-and discovers that she knew the victim. Brad Putnam was taking her class on that very subject. Sweeney is shocked by Brad's death, and determined to help Detective Quinn unravel the mystery of Brad's death. They soon discover this is not the first tragedy to strike the Putnams, a prominent Boston family. Peter Putnam, Brad's brother, died in a terrible car accident years earlier. But the cause of the accident was never discovered, as the Putnam family covered up what happened and refused to cooperate with the police. Detective Quinn warns Sweeney not to get too involved in the Brad Putnam investigation but as she gets closer to the Putnam family, she becomes even more determined than ever to find out what happened. Haunted by secrets in her own past, Sweeney dissects the family's history and begins to realize that she may uncover secrets that were never meant to surface. Sarah Stewart Taylor's intricate and engaging follow-up to her acclaimed Agatha Award finalist debut, " O'Artful Death, " is an absorbing and suspenseful novel about love and family, secrets and lies-and murder. ▾Bibliotheksbeschreibungen Keine Bibliotheksbeschreibungen gefunden. ▾Beschreibung von LibraryThing-Mitgliedern
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Sweeney is a noted art historian, a professor, a researcher, whose specialty is the ‘art of death’.
Sweeney is drawn into a murder investigation involving one of her students. When Brad Putnam (of ‘the Putnams’) turns up dead in his Cambridge apartment, the Cambridge Police call on Sweeney St. George’s help in identifying the antique mourning jewelry found at the scene.
We meet a new character in this title, Homicide Detective Timothy Quinn.
We also meet Sweeney’s aunt, Anna, at her Newport cottage, where many personal details of Sweeney’s earlier family life emerge.
I am enjoying this title and series very much. I like the interesting, very detailed, very personal characters; the locations (In MANSIONS OF THE DEAD we are out and about in Boston, in Cambridge and Newport, Rhode Island.); and the very fascinating subject of death and mourning.
I like to learn while I read and I have picked up so much fascinating info on graveyards, grave stones, funeral rites, mourning rituals, mourning art, and grief. I particularly liked the discussions of the ‘value of ritual’. I agree with Sweeney when she says, “That’s what ritual does - it kind of puts an end to suffering. It allows you to go on.”
I especially like the prologues - set (in this title) in 1863, which creates a backdrop for both the story, the mystery and the art.
This title and series is highly recommended. ***** (