Huh! I did finish it. I wasn't sure I would, around the 40% mark, but then I had a conversation with my dad about why he likes apocalyptic sci fi (which I generally avoid) and he said "because people always find a way to go on, no matter how awful things are" and I've been thinking about it a lot. It was still a drag to read til the last 5-10% though, when I could hardly bear to put it down because I had to know what would happen next.

"People find a way to go on" is a pretty good summary of the arc of the book. You make something beautiful (a relationship, a community, guerilla art) but the weight of circumstances brings it down. Something else is always being built and always falling. Down, down, down.

I was impressed with it artistically when I finished, though I don't know if I can justify even to myself why that would be. Maybe because of the end, which really was sweeping. ( )

CW: Self Harm, Sexual Assault, Police Brutality and Murder, Queer and Transphobia (Slurs and Violence)

I am left absolutely rocked by the book. I went from enjoying it to loving it to having some sketchy feelings about one aspect back to loving it. This book is a lot, both in the content, though none of it is sensationalised or gratuitous, the nihilistic presence, embers of hope, and the bleak, soul crushing reflection of what is happening now and will be exacerbated in the near future.

All City follows the perspective of a handful of people who come together to squat in a block of luxury apartments during the fallout and abandonment of their neighbourhood in New York. They are all very different people with disperate experiences before the storm and in their respective journeys to the apartments. Each character feels whole and human with a level of human imperfection that lead them in very different directions, some of which are truly uncomfortable and heartbreaking to witness. I've seen reviews talk about how awful at least one of the characters are, and, like, they do become awful, but it is a tragedy of their situation, events on their journey, and how everything comes together to traumatise them to the point their pain creates a vicious downward spiral. But it feels very real and genuinely tragic.

This isn't your feckless 'live, laugh, love' of 'hopepunk'. It's the near future dystopia we're all but living in already. Grimdark with glisters of hope. Like how 'The Fire Fades' is the good ending of every Dark Souls game. In the nightmare world we find ourselves in joy and unity are fleeting, but immensely beautiful and important things that seem ultimately doomed, yet in this ephemerality and the conscious effort we need to grasp them only adds to their wonder... That's this book. (I want to be clear that I'm not romanticising moments of light in the dark and more light and less awfulness in the real world would obviously be better than bespoke good)

I need fiction like this. I'm Queer, trans, disabled, neurodivergent, and other intersections of all sorts of being destroyed by the way the world is and feels about folx like me. As bleak as this book is in many ways, being fiction and not just being the constant news of how awful everything is (despite by a mirror of this), it gives me a way to feel a little something without getting further washed away into depressive abyss. There are also many aspects of this book that are positive that I need equally as much, if not more. Positive, real portrayal of trans and Genderqueer characters, non-caricature anarchist crust punks, and the transitory hope and harmony that occurs when people come together in solidarity.

The one issue I did have was regarding a romance in the book that seemed to skim over some complicated issues, initially with someone declaring their feelings at what seems to me as a wholly inappropriate and scary time, and a sexual assault survivor being interested in and able to have sex no more than a few days later. The first point becomes a non issue as it is not necessarily unwelcome, but not having a nod to how the situation is nine times out of ten going to be scary and very bad. The second I feel conflicted about. This is not something I have experienced and have no real grounds to speak on, especially with the knowledge that the author is a sexual assault survivor themself. All I can say is that comments about other media with similar situations by other survivors have been very critical. Of course survivors aren't a monolith and people's experiences after a trauma are very different. I will just say that I was seriously taken aback and had to take a pause before I carried on.

Ultimately, I adore this bleak tale of people broken by the system, marbled with the glory of solidarity. Sad Genderqueer recognises sad Genderqueer and I am so happy I read and stuck with this. I really needed it.

The various narrators are phenomenal and create such a perfect tone for their characters. ( )

Near future New York is increasingly economically divided as the wealthy return to the city pushing out the poor. When a large storm hits, the wealthy flee leaving behind those to poor to run. However, as the waters subside, the rich again return bringing the old conflicts back.

Just not my cup of tea, and a lot of slang words I didn’t understand, and couldn’t figure out based on context, with no definitions available. ( )

I saw this on a library display and picked it up, not knowing much about the story I'd be jumping into. What I found was a fascinating and heartbreaking journey into near-future New York, where storms are forever changing the lives of its inhabitants.

DiFrancesco writes a diverse and difficult set of characters - each of the three main characters is complex, and not entirely likable. Race and class politics, gender orientation, and sexual assault are all examined as these characters learn to navigate their post-apocalyptic world.

All City would easily stand up to a re-read - lots of weighty moments to digest. I'm excited to see what this author will bring to readers next. ( )