Auf ein Miniaturbild klicken, um zu Google Books zu gelangen.
Lädt ... Act-Age, Vol. 1 (1)von Tatsuya Matsuki, Shiro Usazaki (Illustrator)
Keine Lädt ...
Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. As much as I wanted to like this manga I just couldn't get into it. The plot is a little weird and the characters are even weirder. Most of the time this wouldn't bother me as manga characters typically get that way sometimes but this time they just didn't mesh with me. I did feel for the main character in the beginning. Kei's dad is gone, her mother is dead and she is responsible for two young kids. It makes sense that she wants to loose herself in movies, but at the same time she can't fully remove herself because her acting needs to be able to relate to the experiences she has in life. It's not really acting (although they are mostly talking about method acting in this and I am not a actor so who knows?) to me, it's just her rating her scenes to her life. I lost my connection with Kei after her 'second' role and I just couldn't get the connection back. I like connecting to characters even if it's not on a personal level. Yes, I understand she is weird, it's mentioned a lot in the manga, but when she wanted to return a check for a commercial because she didn't do exactly what it said in the script, I just found it ridiculous. The manga isn't bad at all, I can see it being very funny, especially with all the hi-jinks Kei gets into but I just don't think this is for me. *A Thank you to Netgalley for allowing me to read this for an honest and unbiased review* Zeige 3 von 3 keine Rezensionen | Rezension hinzufügen
Gehört zur ReiheAct-Age (1)
Kei Yonagi must delve deep into her psyche to succeed in the cutthroat world of acting, but can she keep her sanity while doing so? Is there a method to Kei Yonagi's madness when it comes to acting? The young actor has a family of siblings to feed, but she finds herself struggling with her psychological demons when playing a role. Her desperate acting catches the eye of a famous director, Sumiji Kuroyama, who's looking for raw talent to mold. Can he help Yonagi navigate the cutthroat world of acting without losing her sanity? Keine Bibliotheksbeschreibungen gefunden. |
Aktuelle DiskussionenKeine
Google Books — Lädt ... GenresMelvil Decimal System (DDC)741.5The arts Graphic arts and decorative arts Drawing & drawings Cartoons, Caricatures, ComicsBewertungDurchschnitt:
Bist das du?Werde ein LibraryThing-Autor. |
Kei's dad is gone, her mother is dead and she is responsible for two young kids. It makes sense that she wants to loose herself in movies, but at the same time she can't fully remove herself because her acting needs to be able to relate to the experiences she has in life. It's not really acting (although they are mostly talking about method acting in this and I am not a actor so who knows?) to me, it's just her rating her scenes to her life.
I lost my connection with Kei after her 'second' role and I just couldn't get the connection back. I like connecting to characters even if it's not on a personal level. Yes, I understand she is weird, it's mentioned a lot in the manga, but when she wanted to return a check for a commercial because she didn't do exactly what it said in the script, I just found it ridiculous.
The manga isn't bad at all, I can see it being very funny, especially with all the hi-jinks Kei gets into but I just don't think this is for me.
*A Thank you to Netgalley for allowing me to read this for an honest and unbiased review* ( )