Here, the so-called self-talking way of creating suggests that we discover, in our daily life experience, the visual forms that are related to our personality, experiences and professional practive. A work made by the deceased Shanghai artist Chen Zhen greatly influenced me in this respect. This piece, in the form of an ancient Chinese musical instrumental bianzhong, is composed of wooden chamber pots in the old districts of Shanghai, with a mixed soundtrack of quotations from Chairman Mao's Little Red Book and of the washing of the chamber pots.'

(Abstract from catalogue by Wu Hong)