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Lädt ... Our wives under the sea (Original 2022; 2022. Auflage)von Julia Armfield
Werk-InformationenOur Wives Under The Sea von Julia Armfield (2022)
Books Read in 2023 (1,480) » 6 mehr Lädt ...
Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. Wow, the writing in this book is beautiful. It’s very heavy with the metaphors, but done in such a perfect way. This horror book (which is what it is although I never really felt that was the focus) is a sapphic romance about connection, loss, and acceptance. With alternating perspectives, I really felt I understood the depth of their relationship from both sides. The story was truly heartbreaking and although I knew it was headed in the direction that it went, I stayed completely engrossed in their narratives. ALMOST a five star…there is a fine line between leaving some parts up to the imagination and leaving too much unanswered that the reader is left confused and frustrated…I felt this book leaned too much toward the latter. I would have liked just a few more answers, even though I understand their relationship was supposed to be the focus and not as much what happened in the end. Great book, highly recommend! this was such a stunning exploration of love and loss and grief and mourning someone who is right in front of you with a bit of (lovecraft, annihilation, the shape of water- i've seen all these associations and agree) horror. julia's writing is gorgeous, she gives you the kind of sentences you just have to sit with, read over and over and appreciate. the story is a slow wade, and once you start receiving answers it's going to be just enough to infer and imagine but that's all you're going to get. AND I LOVE THAT SHIT!!!!!!!!!!!!!!!!!!!! this is for the ambiguous plot lovers, hill house enjoyers, and horror fans that love to leave feeling completely emotionally wrung out rather than with a racing heart. Very slow paced and very strange…like I can’t think of a single other book like this one. People keep comparing it to “Annihilation” and while I understand the comparison I disagree; “Our Wives Under the Sea” is much more introspective and tender, and overall I think the characters are much more likable. Those prose here is really lovely and evocative, and it fits the story wonderfully. Although I’m not sure who exactly I’d recommend this to, I’m so glad I read it!! A definite standout, if only for how unique it is.
Death and the ocean beguile Julia Armfield’s debut novel Our Wives Under the Sea, a work that plumbs with striking subtlety what it feels like to live with the mystery of both. The book explores the transformations that test intimacy, ones that are perhaps even more unsettling than the sure fact of death....Blending elements of horror, gothic, and realism, Our Wives Under the Sea takes the bottom of the ocean as a speculative topography on which to explore the terrors of the mysterious gravitational pull we exert on each other....The ocean intrigues us for the same reasons love does: the challenge of knowing someone to their depths seduces us despite — or maybe because of — its seeming impossibility. Armfield’s work is an elliptical, leaky manual on how to live in the half-known life: the in-betweens of intimacy, the flux of not knowing, and the waves of surrealism that inundate the everyday. This is a novel in which one of the narrators says, “For a long time nothing happened,” and she means it. There is little movement here in the fetid atmosphere that drifts between convalescence and hospice.... “Panic is a misuse of oxygen,” Leah warns, but by the climax of this eerie novel, I was misusing it with abandon. A turn toward horror at the end will satisfyingly rachet up the tension for some readers but may discomfit others. Told in stunning language, Armfield’s heartrending story of two people forced apart by trauma is enough. Gothic elements are knitted throughout (“The deep sea is a haunted house: a place in which things that ought not to exist move about in the darkness” goes the tantalising first sentence). Everything that happens on the surface has symbolic, metaphorical meaning beneath. Take Leah’s observation that “things can thrive in unimaginable conditions. All they need is the right sort of skin.” This appears to refer to sea creatures, but the word choice allows for a much wider meaning.... This mode of expression is ubiquitous throughout. The prose is reaching for something, but what? This might be a book about the sea, about depression, illness, grief....We collect information, but there is also the understanding that we can never “know enough to escape from the panic of not knowing”....Indeed, though the writing is relentlessly exacting, Our Wives Under the Sea tends towards the unknowable, which might also be synonymous with death or the uncanny. There is an almost spiritual endlessness to its quest. Like all good novels, it goes deep and then deeper again. AuszeichnungenPrestigeträchtige AuswahlenBemerkenswerte Listen
Fiction.
Literature.
LGBTQIA+ (Fiction.)
Leah is changed. Months earlier, she left for a routine expedition, only this time her submarine sank to the sea floor. When she finally surfaces and returns home, her wife Miri knows that something is wrong. Barely eating and lost in her thoughts, Leah rotates between rooms in their apartment, running the taps morning and night. As Miri searches for answers, desperate to understand what happened below the water, she must face the possibility that the woman she loves is slipping from her grasp. Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)823.92Literature English English fiction Modern Period 2000-Klassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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But it seems clear that that is what Armfield is going for here. This is a book about what happens when we lose sight of the profound strangeness of ourselves to one another, and our relationship with the natural world. It looks at what happens when explanations fail to deliver the promised clarity, and to that end the repeated attempts to disrupt our narrative, character, and genre expectations makes a deliberately imperfect sense. ( )