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Don't Think, Dear: On Loving and Leaving Ballet

von Alice Robb

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642413,070 (3.58)1
"An incisive exploration of ballet's role in the modern world, told through the experience of the author and her classmates at the most elite ballet school in the country: the School of American Ballet. Ballet is an art full of hyper-feminine trappings, but beneath the ornate costumes and exaggerated stage makeup, traits like thinness, stoicism, and submission are valued above all else. Journalist Alice Robb spent years immersed in that universe as a child, but as an adult, she couldn't shake the feeling that the same laws that governed the dance world still applied in the regular one. Certain bodies hold more value than others, and men oftentimes hold the most power of all. Pain is best left concealed, along with sexuality, in all of its messiness. Obedience and conformity are rewarded, while standing out comes at a cost. Profound, nuanced, and obsessively researched, Don't Think, Dear, is Robb's excavation of her adolescent years as a dancer, and an exploration of how those days informed her life for years to come. As she grapples with the pressure she faced as a student at the storied School of American Ballet, she explores the fates of her former classmates as well. From sweet and shy Emily--whose body was deemed "thin enough" only when she was too ill to eat--to the precocious and talented Meiying--who despite her success, had to contend with the fact that she was the only Vietnamese-American in the school. Altogether, their stories are ones of heartbreak and resilience, of reinvention and regret. Along the way, Robb weaves in the myths of famous ballerinas past and present, from the groundbreaking Misty Copeland, to the controversial George Balanchine. Ballet does not exist in a vacuum, it is a laboratory of womanhood, a test-tube world in which traditional femininity is exaggerated. By exploring the psyche of a dancer, Don't Think, Dear grapples with the contradictions and challenges of being a woman today. It's also a story about chasing your dreams, however complicated, and learning when to let them go"--… (mehr)
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The ultimate in ballet apologetics. The book tries to see the good in creepy, gross old white man predators, which I found pretty horrific. And the heterocentrism of this book was completely off-putting to me. ( )
  lemontwist | Jan 9, 2024 |
It is well known that ballet is a strenuous, competitive art form. Female dancers, in particular, are expected to attend demanding classes and conform to rigid physical standards. As a young girl studying at the famous School of American Ballet, author Alice Robb was subject to all the familiar pressures, but when she was told she must discontinue her studies, she was bereft. In an effort to understand what happened to her, as well as the continual hold the ballet has on her subconscious mind, she shares her own story as well as those of famous ballerinas such as Margot Fonteyn and Misty Copeland.

Robb is at her best when writing about herself and her friends; her discussions of legendary dancers often devolve into book reports. Still, this book provides a stirring look at an elite world.

I received an electronic pre-publication copy of this book via NetGalley in exchange for an honest review. I was not compensated in any way. ( )
  akblanchard | Dec 2, 2022 |
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"An incisive exploration of ballet's role in the modern world, told through the experience of the author and her classmates at the most elite ballet school in the country: the School of American Ballet. Ballet is an art full of hyper-feminine trappings, but beneath the ornate costumes and exaggerated stage makeup, traits like thinness, stoicism, and submission are valued above all else. Journalist Alice Robb spent years immersed in that universe as a child, but as an adult, she couldn't shake the feeling that the same laws that governed the dance world still applied in the regular one. Certain bodies hold more value than others, and men oftentimes hold the most power of all. Pain is best left concealed, along with sexuality, in all of its messiness. Obedience and conformity are rewarded, while standing out comes at a cost. Profound, nuanced, and obsessively researched, Don't Think, Dear, is Robb's excavation of her adolescent years as a dancer, and an exploration of how those days informed her life for years to come. As she grapples with the pressure she faced as a student at the storied School of American Ballet, she explores the fates of her former classmates as well. From sweet and shy Emily--whose body was deemed "thin enough" only when she was too ill to eat--to the precocious and talented Meiying--who despite her success, had to contend with the fact that she was the only Vietnamese-American in the school. Altogether, their stories are ones of heartbreak and resilience, of reinvention and regret. Along the way, Robb weaves in the myths of famous ballerinas past and present, from the groundbreaking Misty Copeland, to the controversial George Balanchine. Ballet does not exist in a vacuum, it is a laboratory of womanhood, a test-tube world in which traditional femininity is exaggerated. By exploring the psyche of a dancer, Don't Think, Dear grapples with the contradictions and challenges of being a woman today. It's also a story about chasing your dreams, however complicated, and learning when to let them go"--

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