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Lädt ... A World of Head Adornment: Africa, Asia, Oceania, America (2005)von Anne van Cutsem, Mauro Magliani (Fotograf)
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A passionate interest and a lifetime spent seeking out the world's finest ethnic jewelry has contributed to making the Ghysels collection one of the premier collections of its kind in the world. Jean-Pierre and Colette Ghysels have indulged their passion indiscriminately, according as much attention to ethnographic objects as to extraordinary pieces of ethnic jewelry. They are guided by a single criterion: the quality that gives rise to beauty, a strict standard indeed, but one made possible by their longstanding familiarity with ethnic objects. A vast array of hair combs, pins, jewelry made to be woven into braids, nose rings, lip plugs, forehead ornaments and other related objects made out of the most diverse materials, many never before seen, are presented in beautifully composed photographs. The book is divided into geographical sections and includes 200 annotated photographs, a glossary, an index, maps, and a general bibliography. The author's essay describes the uses and meaning of the objects in different cultures and emphasizes the originality of the pieces. Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)391.43Social sciences Customs, Etiquette, Folklore Costume and personal appearance Kinds of garments; accessories; buttonsKlassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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The pictures themselves are stupendous: large with extremely clear detail. Depending on the item, there may be several on a pages (as with small hairpins) or one piece may have a double spread. The pictures are solely of the pieces; there is no attempt to display them as they would be used. They are arranged in geographical sections, with a brief introduction to the jewelry of that area. All of the caption information is collected at the end of the book, which I suppose avoids detracting from the pictures, but which some may find annoying. At least every page seems to have a discreet page number, so it is easy to match them to the captions. Anyone with a scholarly interest may find this disappointing: there is minimal information about the size of the pieces, generally the largest dimension only, and only one, even if multiple pieces are shown in the same picture. Only a very broad provenance is given, and little about the age. One comb for example, notes that this style was derived from the Spanish mantilla beginning in the 17th century, but it does not indicate if it is also contemporary. I a a little confused by the notation in the caption about a piece from Nigeria referring to Pharaonic Egypt. Does this reflect cultural sharing? Does this mean that the piece is from the time in history? The precise comment is that the ancient Egyptians often copied natural forms, but looking through the pictures, isn't that true of most cultures?
The index is very detailed in that one may, for example, look up pieces from Ming Dynasty China under either Ming or China. It would be helpful if a time period was specified for the dynasties. Also, the page numbers refer only to text, either in the section introductions or the captions. Thus, one is directed to the captions for the jewelry, and goes from there to the pictures. There are also maps and an extensive bibliography.
Well worth oohing and ahhing over, but will be only a supplement for a person with scholarly interests. ( )