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Lädt ... Asmara: Africa's Secret Modernist Cityvon Edward Denison
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Asmara, the capital city of Eritrea, is one of the most exciting architectural `discoveries' of recent years: built almost entirely in the 1930s by the Italians, it became a prime location for architectural innovation. This groundbreaking and superbly illustrated study reveals the full extent of Asmara's remarkable survival and confirms its status as one of the world's finest Modernist cities. Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)720.9635The arts Architecture Architecture - modified standard subdivisions History, geographic treatment, biography Africa Ethiopia & Eritrea EritreaKlassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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This book, then, surveys the notable buildings of Asmara as they stood in 2002-03. It gives as many details as possible, and contrasts the buildings' current state with historical photographs and (where available) original architects' drawings, plans and concepts. The book also gives a history of Eritrea, concentrating on the period when most building was done, from 1889 to 1952.
The historical section goes into the events of the colonial period in some detail. Italy came late to colonialism, and found that when they had fewer resources to commit to their colonial project, institutional racism quickly ran out of steam when faced with pragmatic requirements. The region's religious openness, with Judaism, Coptic and Catholic Christianity and Islam all observed, also meant that co-existence and proper multi-culturalism were facts of everyday life, irrespective of what Rome dictated (especially during the Fascist era). Perhaps the worst period was that between 1951 and 1993, when Eritrea was federated with Ethiopia under a UN agreement heavily influenced by external political considerations. A national liberation movement grew up in the 1960s and 70s; when the Mengistu regime came to power in Ethiopia, the liberation movement ceased its internal dissension (mostly) to fight directly for freedom.
The book does not particularly draw attention to the effects of these conflicts on the fabric of the city of Asmara; rather, it concentrates on the buildings and the various attempts at town planning mainly carried out by the Italians, both in the colonial period and afterwards,. Italian influence remained strong in the architecture and building styles, although many architects adapted local forms and details. Yet despite this, it is surprising how many of the photographs appear to depict a European city dropped into another continent; many of the buildings would not look out of place in a European city, as they employ styles and proportions that reflected architectural thinking in the mid-20th century; and much of the street furniture also seems familiar to a European eye.
Some of the buildings are, indeed, classics of modernist architecture, and indeed some are compared with the work of Frank Lloyd Wright. Fortunately, the independent Eritrean authorities have taken advice and are receiving assistance aimed at preserving the best of Asmara's architecture whilst helping the nation develop and improving the everyday life of their citizens. This book is an important part of that process, as it brings Asmara's cityscape to the attention of a wider audience, who hopefully will help raise awareness of the city's place in world culture. ( )