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Lädt ... Hiroshige. One Hundred Famous Views of Edo (2022. Auflage)von Melanie Trede (Autor), Lorenz Bichler (Autor)
Werk-InformationenHiroshige: Hundert berühmte Ansichten von Edo von Melanie Trede
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Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. A book of art prints that is a work of art in its own right. It comes in a beautiful presentation box covered in printed silk. The book itself is a Japanese stab binding, with a silk cover. The images within it are wonderful, and are reproduced to the highest quality; and the commentary is fascinating and well read. Whether you are a fan of Hiroshige, Japanese art, Japanese culture or beautiful books, you should try to get your hands on a copy of this. Zeige 3 von 3
Utagawa Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning "pictures of the floating world," ukiyo-e was a particular genre of art that flourished between the 17th and 19th centuries and came to characterize the Western world's visual idea of Japan. In many ways images of hedonism, ukiyo-e scenes often represented the bright lights and attractions of Edo (modern-day Tokyo): beautiful women, actors and wrestlers, city life, and spectacular landscapes.Though he captured a variety of subjects, Hiroshige was most famous for landscapes, with a final masterpiece series known as "One Hundred Famous Views of Edo" (1856-1858), which depicted various scenes of the city through the seasons, from bustling shopping streets to splendid cherry orchards.This reprint, bound in the traditional Japanese fashion, is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. It pairs each of the 120 illustrations with a description, allowing readers to immerse themselves in these beautiful, vibrant vistas that became paradigms of Japonisme and inspired Impressionist, Post-Impressionist and Art Nouveau artists alike, from Vincent van Gogh to James McNeill Whistler. Keine Bibliotheksbeschreibungen gefunden. |
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Melanie Trede's introduction puts Hiroshige's prints in their historical context of pictures of famous places (meishoe) that date back to the 10th century and the poetry collection "One Hundred Poets, One Poem Each". Trede explores the influence Hiroshige's work had on painters like Whistler, Pissarro and Van Gogh, but also the influence that Western art techniques had on Hiroshige. Of more interest, perhaps, is the discussion of Hiroshige's methodology and how his approach to recording Edo differed to that taken by Hokusai. The pictures weren't just a record of Edo life but a means of promoting the city and creating a cultural narrative that appealed to residents and potential visitors alike. I was interested to learn about the prohibition on depicting Edo castle and other official buildings of the Shogun and how Hiroshige sometimes got around that restriction, even getting views that contained hints of the castle past the censors. Also on the censors' hit list was anything that might place the shogunate in a bad light. Some ukiyo-e artists got into bother by depicting the devastation caused by the 1855 earthquake, but Hiroshige's views are focused on the positive, showing the glories of a newly reconstructed and vibrant Edo after the earthquake, but contain hidden political allusions designed to circumvent the censors' sensibilities. There is information on the publisher, Sakanaya, and a detailed description of the process from proof drawing to woodblock engraving to printing, in Trede's introduction as well.
The book reproduces one of only a few surviving complete sets of views from the first print run. The set is held by the Ota Memorial Museum of Art in Tokyo, a museum we haven't visited yet, but which I now hope to include on a future trip to Tokyo. The reproductions glow on the page, with the full depth of colour that must exist in the originals. Trede is joined by Lorenz Bichler in writing the commentaries for each view, discussing the content of the print, its meaning and the craftsmanship involved in bringing each element of the image together. ( )