StartseiteGruppenForumMehrZeitgeist
Web-Site durchsuchen
Diese Seite verwendet Cookies für unsere Dienste, zur Verbesserung unserer Leistungen, für Analytik und (falls Sie nicht eingeloggt sind) für Werbung. Indem Sie LibraryThing nutzen, erklären Sie dass Sie unsere Nutzungsbedingungen und Datenschutzrichtlinie gelesen und verstanden haben. Die Nutzung unserer Webseite und Dienste unterliegt diesen Richtlinien und Geschäftsbedingungen.

Ergebnisse von Google Books

Auf ein Miniaturbild klicken, um zu Google Books zu gelangen.

Lädt ...

Alan Moore's Light Of Thy Countenance

von Alan Moore (Original author), Antony Johnston (Adapter), Felipe Massafera (Illustrator)

MitgliederRezensionenBeliebtheitDurchschnittliche BewertungDiskussionen
693383,887 (3.32)1
Alan Moore, master and magician of storytelling, tears back the veil of oneof the most arcane of enchantments -- The Magic of Television! Partgrimoire, part grim invocation of things that are all too ordinary, Light ofThy Countenance -- an original and breathtaking story by Alan Moore-- is adapted to graphic novella format by Antony Johnston, preservingevery word, with each page painstakingly painted by Felipe Massafera. Maureen Cooper is not real. She is an apparition summoned to screens, intohomes, into the hearts and mind of the viewing audience by Carol Livesly. ButCarol Livesly is not the god that creates the illusions that capture the mindand bind the soul. She is only a servant of a higher power. A higher, hungrypower, as old as the world and eternally new. As, perhaps, are we all.… (mehr)
Keine
Lädt ...

Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest.

Keine aktuelle Diskussion zu diesem Buch.

» Siehe auch 1 Erwähnung

This is an essay by Moore which has been adapted as a graphic novel, beautifully illustrated by Felipe Massafera.

Moore's point is that television is our new God. It's omnipresent. we devote four hours a day to it on average. After prolonged exposure, we cue our relationships, our emotions, our sexual fantasies from it. We distance ourselves from our loved ones to watch it. It's often the first voice we hear when we're born, and the last when we die.

Other writers have explored this theme before, and have lamented TV's disproportionate role in our lives. Some may the style Moore uses here (it's the style he uses in his spoken word pieces) pompous. Some may find his poetic language pretentious. But what Alan Moore does well is juxtapose ideas. He expresses abstract ideas through commonplace images. He makes artful segues.

He uses his strengths well here, but he's leading us down a pretty well-traveled road. ( )
  EricKibler | Apr 6, 2013 |
Although Alan Moore's principal fame is as a writer of comic books, he wrote Light of Thy Countenance as a straight prose piece, and I can't help but wonder if it wouldn't be more effective that way. It's not that I have any objections to the general pacing and structure of the adaptation by Antony Johnston, and the fully-painted illustrations by Felipe Massafera are all wonderful in their way. But the words of Moore's "story" are so powerful and still so challenging to digest, I'm afraid that the other elements of this comic book repackaging might distract from the text more than amplify it.

I put "story" in scare quotes, because the narrative element is rather slight, even though much of the text is built around a chronology. The genre here is actually that of an oracle: the thoughts of a god reduced to human language. And the god is the transcendent self-consciousness of Television, regarding with sublime contempt the human psyches that it exploits and impoverishes. "I am the silence of the will," it declares. "I am the last voice you will ever hear."

Even Cronenberg's film Videodrome couldn't make TV as creepy as this Light does. There's nothing supernatural or counterfactual in Moore's treatment. It's just a brutal confrontation with the global and individual consequences of the mass psychological experiment cum global cult called commercial television. All that makes it fiction is giving the phenomenon an honest single voice.
2 abstimmen paradoxosalpha | Jul 7, 2010 |
This is actually a short story written by Alan Moore that I read a long time ago in story format and totally loved. I think the graphic novel has ALL the text of the short story but it's broken up over a bunch of pages with images. It's really just a rambling diatribe against the evil god known as television (though it is the god himself that is doing the talking).

Moore (as anyone that's read his stuff knows) is a genius. I can't count the number of lines in this story that made me say out loud - "BRILLIANT!", "AMAZING!" etc....

Very cool, highly recommended in either format. ( )
  ragwaine | May 31, 2010 |
keine Rezensionen | Rezension hinzufügen

» Andere Autoren hinzufügen

AutorennameRolleArt des AutorsWerk?Status
Moore, AlanOriginal authorHauptautoralle Ausgabenbestätigt
Johnston, AntonyAdapterHauptautoralle Ausgabenbestätigt
Massafera, FelipeIllustratorHauptautoralle Ausgabenbestätigt
Du musst dich einloggen, um "Wissenswertes" zu bearbeiten.
Weitere Hilfe gibt es auf der "Wissenswertes"-Hilfe-Seite.
Gebräuchlichster Titel
Originaltitel
Alternative Titel
Ursprüngliches Erscheinungsdatum
Figuren/Charaktere
Wichtige Schauplätze
Wichtige Ereignisse
Zugehörige Filme
Epigraph (Motto/Zitat)
Widmung
Erste Worte
Zitate
Letzte Worte
Hinweis zur Identitätsklärung
Verlagslektoren
Werbezitate von
Originalsprache
Anerkannter DDC/MDS
Anerkannter LCC

Literaturhinweise zu diesem Werk aus externen Quellen.

Wikipedia auf Englisch (2)

Alan Moore, master and magician of storytelling, tears back the veil of oneof the most arcane of enchantments -- The Magic of Television! Partgrimoire, part grim invocation of things that are all too ordinary, Light ofThy Countenance -- an original and breathtaking story by Alan Moore-- is adapted to graphic novella format by Antony Johnston, preservingevery word, with each page painstakingly painted by Felipe Massafera. Maureen Cooper is not real. She is an apparition summoned to screens, intohomes, into the hearts and mind of the viewing audience by Carol Livesly. ButCarol Livesly is not the god that creates the illusions that capture the mindand bind the soul. She is only a servant of a higher power. A higher, hungrypower, as old as the world and eternally new. As, perhaps, are we all.

Keine Bibliotheksbeschreibungen gefunden.

Buchbeschreibung
Zusammenfassung in Haiku-Form

Aktuelle Diskussionen

Keine

Beliebte Umschlagbilder

Gespeicherte Links

Bewertung

Durchschnitt: (3.32)
0.5
1
1.5
2 1
2.5 1
3 5
3.5 2
4
4.5
5 2

Bist das du?

Werde ein LibraryThing-Autor.

 

Über uns | Kontakt/Impressum | LibraryThing.com | Datenschutz/Nutzungsbedingungen | Hilfe/FAQs | Blog | LT-Shop | APIs | TinyCat | Nachlassbibliotheken | Vorab-Rezensenten | Wissenswertes | 204,689,423 Bücher! | Menüleiste: Immer sichtbar