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The Paper Eater

von Liz Jensen

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The whole world is beginning to fall in love with Atlantica. Miles from anywhere, the man-made island is a true twenty-first century vision. With a thriving economy based on global waste disposal and an infrastructure run by advanced software, politician-free Atlantica is the envy of other nations and a consumer paradise. But even Utopia has its outcasts. Meet Harvey Kidd, petty criminal, papier mache craftsman, forlorn lover and holder of an explosive secret. Is the system about to discover that it spat out its most difficult customer too soon?… (mehr)
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From the first paragraph, this is a startlingly original novel. The content slaps you across the face immediately and demands that you wake up and pay attention because this is not a derivative story and you're going to have to concentrate to understand what's going on.



Fine. 

Original.

Demanding.

Great, if it makes itself worth the effort, which, at first, it seemed to.

Then Liz Jensen decided to gild the lily by messing about with punctuation.

What is wrong with normal quotation marks?

I find that they do useful things like telling me when someone is talking and helping me separate that out from the authorial voice or the narrator's interior voice. True, the grammar rules can be a little complicated but that's because they're situationally specific and some of those situations are quite complicated.

Liz Jensen has chosen to dump quotation marks. Unlike some authors, she hasn't simply left them out and decided that to adopt an interactive modality that requires the reader to figure out what the writer would have written if they'd bothered to write. She's come up with an alternative set of punctuation. Here's a sample:

Finally, John groans through the music. – You know what that means, for me, he says. – Not necessarily, I go. I’m feeling jittery, ragged, claustrophobic, a bit sick. For once, I’m grateful for the musical racket dinning through the sound system. – You’d have been notified, I say. As firmly as I can. Has Fishook called you to the bridge yet? I can’t see John’s face from here, but I guess he’s just staring moochily out of the porthole at this point. – Well, has he? I say. No. – No, John echoes. – Well then, I tell him. Hang on to that, is my advice.


I've read it over several times and it seems to me that notation being used adds nothing but unnecessary effort for the reader.



Why do writers do this?

Perhaps I'm just getting old and set in my ways but this was just one challenge too many. One more obstacle to comprehension that I didn't need.

So I set the book aside. I'll wait for the movie to come out. Or maybe the graphic novel. .
  MikeFinnFiction | Aug 28, 2020 |
On the artificial island of Atlantica, politics has been replaced by consumerism, with the Libertycare computer running every aspect of life on the island. One of Atlantica's main sources of prosperity is its willingness to receive the world's garbage, no matter how toxic, and store it in the porous rock on which the island stands, and another is the prison ships that circle the world picking up new inmates and occasionally stopping off in Atlantica for a 'Final Adjustment'.

The islanders are now known as customers rather than citizens and despite the mantra that the customer is always right, anyone who rocks the boat is 'questionnaired', and customers denounce their friends, relations and neighbours for infractions via the 'customer help-line'. At the start of the book, they are voting on whether Libertycare should run the island for a second term, and a campaign is underway in the USA to have Libertycare replace the president and government. But could what has been so successful on a small island really be scaled up for a country the size of the United States, and are things actually running as smoothly on Atlantica as Libertycare would have you believe? Why exactly are there so many Atlantican geologists being held in solitary confinement on the prison ships?

The Paper Eater is a dystopian satire on rampant consumerism, the power of big business, man-made ecological disaster, and the ability of human beings to stick their heads in the sand and ignore all signs of trouble ahead. ( )
  isabelx | Apr 17, 2011 |
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. . . Who would have thought my shrivell'd heart
Could have recovered greenness? It was gone
Quite underground, as flowers depart
To see their mother-root, when they have blown;
Where they together
All the hard weather,
Dead to the world, keep house unknown . . .

From 'The Flower' by George Herbert

The topography of the seabed consists of a circular plateau of porous rock, two hundred kilometres in radius, making the ocean here as shallow as a coastal reef . . . it is not hard to imagine an artificial land-mass geophysically welded to this plateau, sustaining a society with its own infrastructure and economy. The technology is available. But is the vision?

From an article by Gilles de Ferrer in The Oceanographer
Translated by Colin Harbutt
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If there's one thing to be said about life in captivity, it's that you get to travel.
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The whole world is beginning to fall in love with Atlantica. Miles from anywhere, the man-made island is a true twenty-first century vision. With a thriving economy based on global waste disposal and an infrastructure run by advanced software, politician-free Atlantica is the envy of other nations and a consumer paradise. But even Utopia has its outcasts. Meet Harvey Kidd, petty criminal, papier mache craftsman, forlorn lover and holder of an explosive secret. Is the system about to discover that it spat out its most difficult customer too soon?

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