Auf ein Miniaturbild klicken, um zu Google Books zu gelangen.
Lädt ... Prefaces to Shakespearevon Tony Tanner
Keine Lädt ...
Melde dich bei LibraryThing an um herauszufinden, ob du dieses Buch mögen würdest. Keine aktuelle Diskussion zu diesem Buch. keine Rezensionen | Rezension hinzufügen
When Tony Tanner died in 1998, the world lost a critic who was as sensitive a reader of Jane Austen as he was of Thomas Pynchon, and who wrote with a warmth and clarity that belied his fluency in literary theory. In the final ten years of his life Tanner tackled the largest project any critic in English can take on--writing a preface to each of Shakespeare's plays. This collection serves as a comprehensive introduction for the general reader, the greatest and perhaps the last in the line of great introductions to Shakespeare written by such luminaries as Samuel Johnson and Samuel Taylor Coleridge. Tanner brings Shakespeare to life, explicating everything from big-picture issues such as the implications of shifts in Elizabethan culture to close readings of Shakespeare's deployment of complex words in his plays. Although these prefaces are written for a general audience, there is much value for the scholar as well. Tanner introduces some of the most significant recent and historical scholarship on Shakespeare to show the reader how certain critics frame large issues in a useful way. This scholarly generosity permits Johnson, Hazlitt, Emerson, Thoreau, Ruskin, Pater, and many others to enter into conversation. The Independent said of the project, "All of Tanner's life and education had prepared him for this task and the results are magnificent--both accessible and erudite." Keine Bibliotheksbeschreibungen gefunden. |
Aktuelle DiskussionenKeineBeliebte Umschlagbilder
Google Books — Lädt ... GenresMelvil Decimal System (DDC)822.33Literature English English drama Elizabethan 1558-1625 Shakespeare, William 1564–1616Klassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
Bist das du?Werde ein LibraryThing-Autor. |
Tanner was of the old guard, and his work resounds with a respect for the creator's intention while also acknowledging the work as literature, as poetry, as a living, changing mass whose intention and effect will vary with each passing generation and audience. In this, he succeeds. Tanner elucidates the comedies, histories, tragedies, Greek and Roman plays, and finally romances, with a fine toothcomb. He intelligently plucks out lines for multiple meanings and sharp insights, while always acknowledging the basic necessities of analysing older material:
1) Not everything is intentional, no, but often the little moments reveal so much to us;
2) Even when elements are often unintentional, an artist (I can personally attest to this) may make connections unconsciously that later reveal themselves; and
3) Despite our best guesses, we can rarely - if ever - know what Shakespeare was thinking. He died 400 years ago. Let's accept that.
Within this framework, Tanner gives a gloriously old-school introduction to each one of Shakespeare's generally accepted plays.
Like any work, of course, there are elements that could be seen as flaws. Tanner is cannier (or at least, more clear) on some genres - the comedies and romances particularly - than perhaps in the tragedies and the Greek plays, but perhaps this is just because of the elements he has chosen to highlight. There are certain words and phrases he overuses, although these prefaces were not originally - or even, really, now for most readers - intended to be read together. His lack of providing footnotes and references could occasionally leave younger readers confused, as he may reference a literary or classical point without providing context. And - although it's not Tanner's fault - his archaic use of words (particularly verbs) would undoubtedly be perplexing to many readers. To me, that last one is a plus: I love that when Tanner says "of all Shakespeare's tragedies, this is the worst", he doesn't mean "play sux, y'all", he means "is most filled with a sorrow and grief that has no justification".
Fascinating stuff. And, at the end of the day, it's increasingly rare to read intelligent material that treats the reader as equal while discussing this greatest of playwrights. Tanner is an academic almost without bias, writing with fervour and passion for his subject. These prefaces - read in the larger context of Shakespearean scholarship - have a lot to teach us. ( )