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Lädt ... Margaret Rutherford : die Schauspielerin hinter "Miss Marple"von Andy Merriman
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Margaret Rutherford was without a doubt one of Britain's best-loved comic actresses. But behind the kindly, serene front Rutherford presented to the world lay a life of trauma and repeated nervous breakdown - the legacy of the legacy of family tragedy that saw her father murder her grandfather during a bout of mental illness and her depressive mother later kill herself. Andy Merriman's acclaimed biography intrigued and shocked readers with these revelations when it was published in hardback. Now out in paperback, it is also a portrait of one of our most individual actresses. Rutherford appeared in such thoroughly English classics as Blithe Spirit, The importance of Being Earnest, Passport to Pimlico and I'm All Right, Jack! But above all she was Miss Marple, in four films - and entirely created for the screen the role of Agatha Christie's elderly and fearless private detective that subsequent actresses like Joan Hickson and Geraldine McEwan have continued. Rutherford first played Miss Marple at the age of 70, and insisted on wearing her own clothes to feel right in the part. Above all, this was a vulnerable woman whom no-one failed to like and respect, notable again and again for quiet acts of kindness, whose life story has great appeal to everyone who appreciates both classic English comedy and simple human decency. Keine Bibliotheksbeschreibungen gefunden. |
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Her stage career only really took off after this, she having supported herself through giving music and elocution lessons. Her first film roles came in the 1930s (when she was already around 40) and she made a very early TV appearance in 1938. Her lack of classical good looks and her quirkiness restricted the parts she was able to land, much to her regret (at various times she rued not having played Shakespeare's Juliet, and Cleopatra, which would have been difficult to picture!). Her devoted late marriage at age 53 to the younger (James) Stringer Davis is lovingly described here, and he was her gofer, dogsbody and carer for the rest of her life (she had a clause in her contract to give him a minor role in her films; otherwise, he landed very few parts, being a rather limited actor). In addition to her acting successes and universally loved personality, she also possessed a broadly based and entirely non-political social conscience, helping young offenders and with tolerant views on issues of race and sexuality, and was incredibly generous with her money (sometimes naively so). She battled all her life with her own mental health issues, and had to rest for long periods during her career. Her deterioration and death in 1972 make a sad ending to this book; her funeral was attended by Edward Heath, Harold Wilson, and Tony Benn, who was the son of her cousin William Wedgewood Benn, and who had supported her financially at times. Her husband only outlived her by a little over a year, but had fallen prey to the wiles of their former housekeeper, Violet Lang-Davis, to whom he proposed shortly after Margaret's death, but who forged his will and stole and sold or otherwise disposed of some of Margaret's most prized possessions, including her Oscar. A sad and sorry ending; a mercy that Stringer and Margaret remained unaware of this sordid deception. A lovely book. ( )