Autorenbild.

Ludovic Halévy (1834–1908)

Autor von Carmen [sound recording]

41+ Werke 761 Mitglieder 9 Rezensionen

Über den Autor

Werke von Ludovic Halévy

Carmen [sound recording] (1983) — Autor — 214 Exemplare
Carmen [Französisch/Deutsch] (1875) — Librettist — 154 Exemplare
The Abbe Constantin (1888) 118 Exemplare
Carmen [book and sound recording] (1996) — Librettist — 97 Exemplare
English National Opera Guide : Bizet : Carmen (1982) — Librettist — 32 Exemplare
Orpheus in the Underworld [sound recording] (1999) — Llibrettist — 15 Exemplare
Orpheus in the Underworld [vocal score] (1858) — Libretto — 14 Exemplare
Dover Opera Guide and Libretto Series : Carmen (1970) — Librettist — 14 Exemplare
Carmen: Live From the Metropolitan Opera [1987 film] (2000) — Writer — 13 Exemplare
Orpheus in der Unterwelt — Librettist — 11 Exemplare
Carmen : Textbuch, Einführung und Kommentar (1979) — Librettist — 9 Exemplare
Carmen: The Metropolitan Opera HD Live [2011 film] (1956) — Librettist — 7 Exemplare
Parisian points of view (2016) 7 Exemplare
Offenbach : Orpheus in the Underworld [video recording] (2002) — Librettist — 7 Exemplare
Orpheus in the Underworld {1858, 2 acts} [libretto] (1960) — Librettist — 5 Exemplare
La Famille Cardinal (1883) 4 Exemplare
A Marriage for Love (2017) 4 Exemplare
Bizet : Carmen [libretto] (1959) — Librettist — 1 Exemplar
Overture Opera Guides : Bizet : Carmen (2013) — Librettist — 1 Exemplar
Orpheus in the Underworld {excerpts} [score] (1860) — Librettist — 1 Exemplar
La Belle Helene 1 Exemplar
Un Marige d'Amour 1 Exemplar
L'Abbe Constantin 1 Exemplar
Madame Canivet (LA LICORNE) (2019) 1 Exemplar
U'Invasion 1 Exemplar
Trois coups de foudre (1886) 1 Exemplar

Zugehörige Werke

The Masterpiece Library of Short Stories Volumes 3 & 4 (1900) — Mitwirkender — 17 Exemplare
International Short Stories French (Volume 3) (2010) — Mitwirkender — 8 Exemplare
Bizet: Carmen • von Karajan • Brumby [1967 film] (1969) — Librettist — 5 Exemplare
Carmen: Metropolitan Opera [2010 film] (2010) — Librettist — 3 Exemplare
Carmen (Opera di Roma 2013/2014) — Autor — 1 Exemplar

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Wissenswertes

Gebräuchlichste Namensform
Halévy, Ludovic
Geburtstag
1834-01-01
Todestag
1908-05-07
Geschlecht
male
Nationalität
France
Geburtsort
Paris, France
Sterbeort
Paris, France
Wohnorte
Paris, France
Ausbildung
Lycée Louis Le Grand, Paris
Berufe
librettist
playwright
novelist
short story writer
Beziehungen
Halèvy, Daniel (Fils)
Halévy, Elie (Fils)
Halévy, Léon (father)
Organisationen
Académie française (1884)
Kurzbiographie
Ludovic Halévy was born in Paris, France, the son of the writer Léon Halévy and his second wife Louise Alexandrine Lebas. He paternal uncle was the operatic composer Jacques François Fromental Halévy. Ludovic was educated at the Lycée Louis le Grand and then became a member of the French civil service. He began writing for the stage in his spare time. His first major success was his contribution to the libretto for Jacques Offenbach's 1858 opera Orphée aux enfers (Orpheus in the Underworld). In 1861, Halévy began a literary partnership with Henri Meilhac that lasted 20 years and that would produce a series of humorous and witty works that epitomized the spirit of the Second Empire even while making fun of it. Together the two men wrote the librettos for Offenbach’s operettas La Belle Hélène (1864), Barbe-bleue (1866), La Vie Parisienne (1866), and La Grande-Duchesse de Gérolstein (1867), among others, all highly popular works in their day. They also wrote the libretto for Georges Bizet’s opera Carmen (1875). They also co-wrote popular drawing-room comedies, including Fanny (1868) and Froufrou (1869). The partnership came to an end in 1882. Halévy also independently wrote novels and short stories, including La Famille Cardinal (1883) and L’Abbé Constantin (1882), a huge bestseller. He was elected to the Académie française in 1884 and received the Legion of Honor.

Mitglieder

Rezensionen

 
Gekennzeichnet
Murtra | Oct 4, 2020 |
CD and accompanying book. Excellent performance, plus an informative short book with archive illustrations of famous performances/performers.
 
Gekennzeichnet
captbirdseye | 1 weitere Rezension | Sep 10, 2018 |
This version with Risë Stevens came highly recommended by Jim Svejda, who is nothing if not opinionated. It's the only cd version I have and I hadn't compared it favorably against my LPs of Marilyn Horne, Tatiana Troyanos, etc. But now that it has been years since I've listened to the LPs (my turntable needing repair but is a 70s Garrard worth it?), it's sounding better to me. And Carmen is just sooo listenable. There's probably a reason it's America's favorite opera ... or was at one point. Jan Peerce is a bit annoying, for the same reason I find many opera singers annoying - the resonant nasal quality that sounds like they're singing for themselves instead of the back of the house. Maria Callas springs to mind. Terrific actress and in her early days sounded great. Why sing like you have a mouth full of marbles?
Anyway, good recording. Great opera for newbies, introducing motives and, like, other serious stuff.
… (mehr)
1 abstimmen
Gekennzeichnet
marfita | Jan 11, 2016 |
 
Gekennzeichnet
pikkendorff | Jun 7, 2015 |

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Statistikseite

Werke
41
Auch von
5
Mitglieder
761
Beliebtheit
#33,429
Bewertung
½ 3.7
Rezensionen
9
ISBNs
129
Sprachen
8

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