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Lädt ... Poetics of Cinemavon David Bordwell
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Bringing together twenty-five years of work on what he has called the "historical poetics of cinema," David Bordwell presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects? For Bordwell, films are made things, existing within historical contexts, and aim to create determinate effects. Beginning with this central thesis, Bordwell works out a full understanding of how films channel and recast cultural influences for their cinematic purposes. With more than five hundred film stills, Poetics of Cinema is a must-have for any student of cinema. Keine Bibliotheksbeschreibungen gefunden. |
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Google Books — Lädt ... GenresMelvil Decimal System (DDC)791.4301The arts Recreational and performing arts Public performances Film, Radio, and Television Film Theory And InstructionKlassifikation der Library of Congress [LCC] (USA)BewertungDurchschnitt:
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The fourth edition of Film Art: an Introduction by David Bordwell and Kristin Thompson was my very first film text book. While I didn't end up as a film theorist, I don't regret the years I studied it.
I bought Poetics of Cinema when it was first released, thinking at the time of maybe including some film essays on my blog. Ultimately I settled on doing strictly a book blog. For one reason or another, Poetics sat on my shelf unread for six years. In the meantime, I had started following Bordwell and Thompson's blog, which in this day and age is really the best way to stay current with their work.
Poetics being a series of academic essays isn't something one reads in one go. I spent an hour with each essay, spreading the experience over a few weekends. The reading experience would have been better if I'd had the films on hand being discussed. ( )