David Bordwell (1947–2024)
Autor von Film Art: An Introduction
Über den Autor
David Bordwell is the Jacques Ledoux Professor of Film Studies Emeritus at the University of Wisconsin-Madison. With Kristin Thompson, he is coauthor of Film History: An Introduction and the Film Arts: An Introduction and the blog Observations on Film Art, which can be found at mehr anzeigen http://www.davidbordwell.net/blog. weniger anzeigen
Bildnachweis: By Wasily at Dutch Wikipedia - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=2927670
Reihen
Werke von David Bordwell
Perplexing Plots: Popular Storytelling and the Poetics of Murder (Film and Culture Series) (2023) 20 Exemplare
The McGraw Hill Film Viewer's Guide 2 Exemplare
"The Art Cinema as a Mode of Film Practice" 1 Exemplar
Film Art: An Introduction (twelfth edition) 1 Exemplar
Zugehörige Werke
Crouching Tiger, Hidden Dragon: A Portrait of Ang Lee's Epic Film (2000) — Einführung — 68 Exemplare
Shared Pleasures: A History Of Movie Presentation In The United States (Wisconsin Studies in Film) (1992) — Vorwort, einige Ausgaben — 32 Exemplare
Getagged
Wissenswertes
- Gebräuchlichste Namensform
- Bordwell, David
- Rechtmäßiger Name
- Bordwell, David Jay
- Geburtstag
- 1947-07-23
- Todestag
- 2024-02-29
- Geschlecht
- male
- Nationalität
- USA
- Geburtsort
- Penn Yan, New York, USA
- Sterbeort
- Madison, Wisconsin, USA
- Todesursache
- idiopathic pulmonary fibrosis
- Wohnorte
- Madison, Wisconsin, USA
- Ausbildung
- State University of New York, Albany (BA|1969)
University of Iowa (MA|1972|Ph.D|1974) - Berufe
- film scholar
professor
film theorist
film historian - Beziehungen
- Thompson, Kristin (spouse)
- Organisationen
- University of Wisconsin, Madison
Society for Cinema Studies
Cinema Journal (editorial board)
Mitglieder
Rezensionen
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The enlightening discussion of the new tools in the cinematographer’s bag was new since I last read it. I was surprised to learn that film itself still has its uses. Evidently, images involving billions of light-sensitive molecules have not been totally displaced by images made of millions of pixels. The discussion of the CGI techniques used in Gravity was especially helpful.
I also enjoyed the many trips to Bordwell’s blog, which the book encouraged. I do wish, though, that the blog included more links to film clips.
Some things have stayed the same: an insightful, detailed critique of Citizen Kane and an organizational structure that makes it problematic for someone trying to organize a course around it.… (mehr)