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Scribbling the Cat: Travels with an African Soldier (2004)

von Alexandra Fuller

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7121532,093 (3.78)65
When Alexandra ("Bo") Fuller was home in Zambia a few years ago, visiting her parents for Christmas, she asked her father about a nearby banana farmer who was known for being a "tough bugger." Her father's response was a warning to steer clear of him; he told Bo: "Curiosity scribbled the cat." Nonetheless, Fuller began her strange friendship with the man she calls K, a white African and veteran of the Rhodesian war. With the same fiercely beautiful prose that won her acclaim for Don't Let's Go to the Dogs Tonight, Fuller here recounts her friendship with K. K is, seemingly, a man of contradictions: tattooed, battle scarred, and weathered by farm work, he is a lion of a man, feral and bulletproof. Yet he is also a born-again Christian, given to weeping when he recollects his failed romantic life, and more than anything else welling up inside with memories of battle. For his war, like all wars, was a brutal one, marked by racial strife, jungle battles, unimaginable tortures, and the murdering of innocent civilians-and K, like all the veterans of the war, has blood on his hands. Driven by K's memories, Fuller and K decide to enter the heart of darkness in the most literal way-by traveling from Zambia through Zimbabwe (formerly Rhodesia) and Mozambique to visit the scenes of the war and to meet other veterans. It is a strange journey into the past, one marked at once by somber reflections and odd humor and featuring characters such as Mapenga, a fellow veteran who lives with his pet lion on a little island in the middle of a lake and is known to cope with his personal demons by refusing to speak for days on end. What results from Fuller's journey is a remarkably unbiased and unsentimental glimpse of men who have killed, mutilated, tortured, and scrambled to survive during wartime and who now must attempt to live with their past and live past their sins. In these men, too, we get a glimpse of life in Africa, a land that besets its creatures with pests, plagues, and natural disasters, making the people there at once more hardened and more vulnerable than elsewhere.… (mehr)
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I have yet to read an Alexandra Fuller book that didn't completely captivate me, and this one is no exception. More journalistic than autobiographical, but so much of her own story threads through the telling that it's reasonable to classify it close to memoir. I suppose it's really a biography that's of an white African soldier who survived war, but it's also a journey book, a trauma book, a distinct evocation of place book. Almost a romance, definitely a tragedy, and layers and layers of sorrow and racism and deep, deep love -- less for country than for the land itself, less about healing than about carrying on when broken. ( )
  jennybeast | Apr 14, 2022 |
Scribbling the Cat is an easy read and Fuller's simple prose reads like poetry at times. Coming from South Africa, living in America and with family from Zambia, I can certainly relate to her experiences and many of her descriptions evoked strong memories. This is not a book about trivial issues though. At times the content is shocking and profound. For example, some of K's experiences would suggest a callous and hard man. In many ways, he is callous and hard. On the other hand, he is very sensitive, understanding and wise. In a broader context this book encapsulates Africa and its many dichotomies - cruelty and generosity, pain and joy, enormity and scarcity, beauty and horror. In many ways, K reminds us that man has the capacity for good and evil in equal measure. The wonderful nature of this book is that it has a lesson for each of us as we all have the same capacity as K. For example, one of the most interesting aspects of this book is the progression of Fuller. While K is the main focus, we are also able to peer inside the life of Fuller and see what an impact the experiences of K have on her. This underlines both Fuller's incredible ability as a writer as well as her absolute honesty in allowing her life to be laid open for all to read. This book deserves 5 stars. ( )
  Tans2018 | Jan 30, 2021 |
I found Alexandra Fuller's first two memoirs about growing up in Rhodesia/Zimbabwe very powerful. This one is also full of insights about an exceptionally dirty war. But growing distaste for the author got in my way. The core of the book is the memories of a former soldier on the losing side; it is very obvious that the poor guy was opening himself up to the author because he was falling increasingly in love with her, and if she had any romantic interest in him, she hides it from her readers.. The word I can't shake off is "exploitation."
  sonofcarc | Jul 18, 2019 |
Real and powerful.A very personal and unguarded memoir looking into the results of war to a former Rhodesian soldier and the landscape on Mozambique. ( )
  Smits | Feb 4, 2018 |
Upon reading the reviews posted here, it seems that those who didn't read Fuller's earlier memoir, "Don't Let's Go to the Dogs Tonight" didn't enjoy "Scribbling the Cat" as much as those who did. When I first read "Dogs", I was unsettled and confused at the end. Ms. Fuller writes in such a straight-forward, no frills style that I asked myself whether she really understood the policial and socio-economic context in which her family, as white Rhodesians, were living in as she looked back on her childhood. Her story haunted me and stayed with me: the photograph of her, at around age 5, stripping down, cleaning and reassembling her father's shot gun is imprinted on my brain. To her, that wasn't outrageous: that was life.

In "Scribbling the Cat", the effect living through a war had on the author is clearer. In this book, she meets a white Rhodesian soldier and travels with him through the places he fought in an attempt to exorcise his demons. She meets other veterans who are still struggling with their war-time experiences, often with the help of religion or alcohol. This is a very personal account of the impact of war; the book doesn't deal with the economy or political fall-out.

Again, Ms. Fuller's writing style is gripping in its straight-forward, non-judgemental honesty. Her perspective adds a lot to understanding what compels people to stay and fight for their homeland. ( )
1 abstimmen LynnB | Feb 5, 2012 |
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For two African writers who stared war inthe fact and chose not to look the other way -- Alexander Kanengoni and the late Dan Eldon. With much respect.
And for K and Mapenga. "Only the dead have seen the end of war." -- Plato
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Because it is the land that grew me, and because they are my people, I sometimes forget to be astonished by Africans.
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"K was what happened when you grew a child from the African soil, taught him an attitude of superiority, persecution, and paranoia, then gave him a gun and sent him to war in a world he thought of as his own to defend. And when the cease-fire was called and suddenly K was remaindered, there was no way to undo him. And there was no way to undo the vow of every soldier who had knelt on this soil and let his tears mix with the spilled blood of his comrade and who had promised that he would never forget to hate the man -- and every man who looked like him -- who took the life of his brother."
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When Alexandra ("Bo") Fuller was home in Zambia a few years ago, visiting her parents for Christmas, she asked her father about a nearby banana farmer who was known for being a "tough bugger." Her father's response was a warning to steer clear of him; he told Bo: "Curiosity scribbled the cat." Nonetheless, Fuller began her strange friendship with the man she calls K, a white African and veteran of the Rhodesian war. With the same fiercely beautiful prose that won her acclaim for Don't Let's Go to the Dogs Tonight, Fuller here recounts her friendship with K. K is, seemingly, a man of contradictions: tattooed, battle scarred, and weathered by farm work, he is a lion of a man, feral and bulletproof. Yet he is also a born-again Christian, given to weeping when he recollects his failed romantic life, and more than anything else welling up inside with memories of battle. For his war, like all wars, was a brutal one, marked by racial strife, jungle battles, unimaginable tortures, and the murdering of innocent civilians-and K, like all the veterans of the war, has blood on his hands. Driven by K's memories, Fuller and K decide to enter the heart of darkness in the most literal way-by traveling from Zambia through Zimbabwe (formerly Rhodesia) and Mozambique to visit the scenes of the war and to meet other veterans. It is a strange journey into the past, one marked at once by somber reflections and odd humor and featuring characters such as Mapenga, a fellow veteran who lives with his pet lion on a little island in the middle of a lake and is known to cope with his personal demons by refusing to speak for days on end. What results from Fuller's journey is a remarkably unbiased and unsentimental glimpse of men who have killed, mutilated, tortured, and scrambled to survive during wartime and who now must attempt to live with their past and live past their sins. In these men, too, we get a glimpse of life in Africa, a land that besets its creatures with pests, plagues, and natural disasters, making the people there at once more hardened and more vulnerable than elsewhere.

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