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Lädt ... The Ivory Trail (1919)von Talbot Mundy
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Oh, my God, no! the Baganda answered, trembling. "Hand me over to the bwana collector! He will put me in jail. I am not afraid of British jail! It will not be for long! The English do not punish as the Germans do! You dare not assault me! You dare not torture me! You must hand me over to the bwana collector to be tried in court of law. Nothing else is permissible! I shall receive short sentence, that is all, with reprieve after two-thirds time on account of good conduct!" Keine Bibliotheksbeschreibungen gefunden. |
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The style, here, is realistic, however, with nothing resembling the later philosophically inclined adventure stories Mundy wrote or the even later novels outfitted in the subtleties of Mundy's notions about Theosophy. Too, Mundy creates one of his greatest villains, Schillingschen, the German professor and agent bent on fomenting rebellion among the inhabitants of British East Africa.
One more thing becomes clear in this early Mundy novel. With its climax taking place on Uganda's Mt. Eglon, it suddenly hit me that almost all of Mundy's work that I've read (and I've read a lot at this point) takes the action and/or the resolution of events to mountains or high ground. Even his forest/jungle stories with Ommony move to action climaxes on rocky outcroppings or elevated hills and nearby mountains. Not to mention all the tales of Ommony, Ramsden, Jimgrin, King, and Singh that take place in the Himalayas, the Hindu Kush, or the mountains of the North West Frontier. From a very early moment, it appears, Mundy understood that emotional drama and action was reinforced through the use of geographic atmosphere that was equally as dramatic and varied. ( )