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Hans-Ulrich Obrist

Autor von Kuratieren!

177+ Werke 1,504 Mitglieder 18 Rezensionen

Über den Autor

Hans Ulrich Obrist is a curator and writer. Since 2006, he has been the codirector of the Serpentine Galleries in London. He is the author of Ai Weiwei Speaks and The Conversation Series, an ongoing collection of interviews with contemporary artists, among other works.
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Reihen

Werke von Hans-Ulrich Obrist

Kuratieren! (2014) 136 Exemplare
A Brief History of Curating (2008) 130 Exemplare
Do It (1996) 41 Exemplare
Formulas for Now (2008) 37 Exemplare
The Words of Gilbert and George (1997) 30 Exemplare
Curating Subjects (2007) 26 Exemplare
Words Of Wisdom: A Curator's Vade Mecum (2001) — Herausgeber — 26 Exemplare
Anri Sala (2006) 21 Exemplare
Unbuilt Roads (1998) 13 Exemplare
Zaha Hadid (2008) 11 Exemplare
Luke Fowler (2009) 10 Exemplare
Laboratorium (2001) 10 Exemplare
Armin Linke: Transient (2003) 10 Exemplare
Subodh Gupta: Common Man (2009) 9 Exemplare
Sam Gilliam (2021) 9 Exemplare
Dreams (1999) — Herausgeber — 9 Exemplare
Monir Shahroudy Farmanfarmaian (2011) 8 Exemplare
Hans Ulrich Obrist & Cedric Price: The Conversation Series (2010) — Herausgeber — 8 Exemplare
Art Basel | Year 44 (1700) 7 Exemplare
Seung-taek Lee (2018) 6 Exemplare
Fischli/Weiss (1997) 6 Exemplare
Gilbert & George (2008) 5 Exemplare
Thaddeus Mosley (2020) 5 Exemplare
Yinka Shonibare Fabric-ation (2013) 5 Exemplare
Bridge the Gap? (2003) 5 Exemplare
Experiment Marathon (2009) 5 Exemplare
Hugo Boss Prize 1998 (1998) 4 Exemplare
Gabriel Orozco (1997) 4 Exemplare
Caminhos da Curadoria (2014) 3 Exemplare
LOST DAY: GILBERT & GEORGE 1972 - SIGNED BY THE ARTISTS (1996) — Herausgeber — 3 Exemplare
Michelangelo Pistoletto (2021) 3 Exemplare
Everstill-siempretodavía (2010) 3 Exemplare
Rudolf Polanszky: Recent Works (2020) 2 Exemplare
The Richter Interviews (2019) 2 Exemplare
Interviews mit Gerhard Richter (2022) 2 Exemplare
Conversations in Mexico (2016) 2 Exemplare
Travelling Eye (1997) 2 Exemplare
Etel Adnan (2015) 2 Exemplare
Cloaca Maxima (1994) 2 Exemplare
Interviews 2 Exemplare
René Burri: Mouvement Part I — Préface — 2 Exemplare
Marathon Marathon (2018) 2 Exemplare
Curating DLD 1 Exemplar
Mark Manders (2005) 1 Exemplar
EVN Sammlung : Ankäufe 2000-2002 — Autor — 1 Exemplar
I've heard about : R&Sie(n) (2005) 1 Exemplar
Rashid Rana : Perpétuel Paradoxe — Interviewer — 1 Exemplar
Cruz-Diez 1 Exemplar
Erwin Wurm 1 Exemplar
Surface 1 Exemplar
Are you here ? (2018) 1 Exemplar
Edi Rama: Work (2019) 1 Exemplar
drawing together (2022) 1 Exemplar
DLD arts 1 Exemplar
Philippe Parreno: Fireflies (2019) 1 Exemplar
Entrevistas - Vol.1 (2009) 1 Exemplar
Les voies du curating (2015) 1 Exemplar
Zuo (2007) 1 Exemplar
Entrevistas - Vol.6 (2012) 1 Exemplar

Zugehörige Werke

A Velocity of Being: Letters to a Young Reader (2018) — Mitwirkender — 236 Exemplare
The Oldest Living Things in the World (2014) — Mitwirkender, einige Ausgaben193 Exemplare
The Queer Bible (2020) — Mitwirkender — 63 Exemplare
Susan Hefuna : Pars pro Toto (2000) — Herausgeber — 22 Exemplare
We Don't Have The Option Of Turning Away From The Future (2004) — Herausgeber — 7 Exemplare
Lynette Yiadom-Boakye: Verses After Dusk (2015) — Vorwort — 7 Exemplare
Luchita Hurtado: I Live I Die I Will Be Reborn (2019) — Interviewer — 6 Exemplare
Dayanita Singh: file room (2013) — Interviewer — 5 Exemplare

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The Age of Earthquakes: A Guide to the Extreme Present is a book written by British writer and curator Shumon Basar, Canadian writer and artist Douglas Coupland, and Swiss curator Hans Ulrich Obrist. It was published in 2015 by Penguin Books in the UK, Blue Rider Press in the U.S. and Eichborn in Germany.

Modelled around the influential 1967 paperback The Medium is the Massage, by Marshall McLuhan, Quentin Fiore and Jerome Agel — which was first published by Penguin Books in the UK — The Age of Earthquakes updates McLuhan's prophetic 20th century pronouncements to the Internet addled, 21st century. "The unpredictable side effects of technology are what dictate the future – there is always an excess to what we invent," say Basar/Coupland/Obrist, "we would argue that it's those excess effects... that produce the most radical – and also sometimes most unsettling – moral, philosophical, social and cultural transformations." The book's abiding premise, therefore, is that, "We haven't just changed our brains these past few years. We've changed the structure of the planet".

The Age of Earthquakes is directly inspired by Quentin Fiore's experimental style he made famous in The Medium is the Massage. For The Age of Earthquakes, graphic designer Wayne Daly took familiar visual cues from contemporary apps and other screen based matter, and translated them onto the printed page, in stark black and white. The text — written and collated by Basar/Coupland/Obrist — appears as aphoristic phrases and quotes. Some pages are left blank, while others require the reader to rotate the book 90 degrees, reminiscent of the portrait/horizontal modes on mobile phones. The reading experience emulates what Fiore achieved with The Medium is the Massage: to create "a dialogue between the computer and the book."

Most of the images in the book were generated from a process entitled "mindsourcing." The manuscript was sent to 35 artists, from all over the world, some born after 1989, several born before 1945, who were asked to respond with relevant visual work.

They are Farah Al Qasimi, Ed Atkins, Gabriele Basilico, Alessandro Bava, Josh Bitelli, James Bridle, Cao Fei, Alex Mackin Dolan, Thomas Dozol, Constant Dullaart, Cécile B. Evans, Rami Farook, Hans-Peter Feldmann, GCC, Liam Gillick, Dominique Gonzalez-Foerster, Eloise Hawser, Camille Henrot, Hu Fang, K-Hole, Koo Jeong-A, Katja Novitskova, Lara Ogel, Trevor Paglen, Yuri Pattison, Jon Rafman, Bunny Rogers, Bogosi Sekhukhuni, Taryn Simon, Hito Steyerl, Michael Stipe, Rosemarie Trockel, Amalia Ulman, David Weir and Trevor Yeung.

Pacific Standard magazine described it as "a kind of philosophical Anarchist Cookbook for the online era"; Jon Snow on Channel 4 News called it "absolutely amazing"; Vice.com characterised it as "a new philosophy-cum-modern-self-help book"; and Dazed said it was a "guidebook, map for today and mediation on the madness of our media, it's an awesome, dizzying read." However, The Los Angeles Times accused it of being, "a project that looks backward, rather than ahead,; and Kirkus Reviews said, "its hipper-than-thou self-satisfaction runs close to the surface of a superficial book." Jarvis Cocker dedicated one of his last BBC Radio 6 Music Sunday Service programs to The Age of Earthquakes. Cocker interviewed Basar and Coupland, in a montage of music and words that echoed the experience of the book. (Wikipedia)
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