Max Horkheimer (1895–1973)
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Über den Autor
Max Horkheimer (1895-1973) was a philosopher and sociologist. He was a key member of the Frankfurt Institute for Social Research and famously collaborated with Theodor Adorno on the influential work The Dialectic of Enlightenment.
Bildnachweis: From Wikipedia,
Horkheimer (front left), in 1965 at Heidelberg.
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Werke von Max Horkheimer
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Studi di filosofia della società 6 Exemplare
Le laboratoire de la Dialectique de la raison : discussions, notes et fragments inédits (2013) 6 Exemplare
Les débuts de la philosophie bourgeoise de l'histoire, suivi de Hegel et le problème de la… (1980) 5 Exemplare
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KRITIKA E ARSYES INSTRUMENTALE 1 Exemplar
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2: Scritti 1932-1941 1 Exemplar
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Studi di filosofia della società 1 Exemplar
Sobre el concepto de hombre y otros ensayos 1 Exemplar
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Teoria crítica : uma documentação 1 Exemplar
On The Problem of Truth 1 Exemplar
Dialéctica del iluminismo 1 Exemplar
La funcion de las ideologias 1 Exemplar
Gesammelte Schriften in 19 Bänden: Band 13: Nachgelassene Schriften 1949-1972 (Max Horkheimer, Gesammelte… (1989) 1 Exemplar
Zmierzch 1 Exemplar
Philosophische Fragmente 1 Exemplar
Materialismo, Metafisica Y Moral / Materialism, Metaphysics and Moral (Filosofia / Philosophy) (Spanish Edition) (1999) 1 Exemplar
Die Aktualität Schopenhauers 1 Exemplar
Apuntes 1950-1969 1 Exemplar
Verwaltete Welt 1 Exemplar
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Os Pensadores: Horkheimer / Adorno 1 Exemplar
Horkheimer 1 Exemplar
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Prophets of Deceit: A Study of the Techniques of the American Agitator (1949) — Vorwort, einige Ausgaben — 66 Exemplare
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Wissenswertes
- Gebräuchlichste Namensform
- Horkheimer, Max
- Andere Namen
- HORKHEIMER, Max
- Geburtstag
- 1895-02-14
- Todestag
- 1973-07-07
- Begräbnisort
- Jüdischer Friedhof, Bern, Schweiz
- Geschlecht
- male
- Nationalität
- Deutschland
- Geburtsort
- Zuffenhausen, Baden-Württemberg, Germany
- Sterbeort
- Nuremberg, Bavaria, West Germany
- Wohnorte
- Frankfurt am Main, Deutschland
Pacific Palisades, California, USA
Chicago, Illinois, USA
Nürnberg, Deutschland - Ausbildung
- Munich University
University of Frankfurt (Ph.D | 1922) - Berufe
- Sozialphilosoph
- Organisationen
- Institut für Sozialforschung
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Enlightenment takes no account of itself at all; it erases all traces of its self-consciousness.
Die Hitler Jugend, the swagger of the rabble, did not regress to barbarism, but was a triumph of mandatory equality, which developed just equality into equal injustice.
The individual is reduced to a collection of habitual reflections and actually desired ways of behaving. Animism spiritualizes the object, whereas industrialization objectifies the human soul.
In the earliest known stages of mankind, there was an obscure religious code called Mana, which existed in the splendid Greek religious world. All that is unfamiliar and unknown is original, undifferentiated, and beyond the sphere of experience; Everything has more implications than we have previously known. In this sense, what the primitive people experienced was not a spiritual entity corresponding to the physical entity, but a die Nature corresponding to the individual.
Throughout the centuries of Christian history, love for one's neighbour has always covered up a latent hatred of the woman, which is now forbidden by coercive means - the woman is only the object used to reclaim that futile fact. This hatred compensates for the worship of the Virgin through the persecution of witches, a form of revenge that survives in the memory of pre-Christian prophetess, a vestige of a latent suspicion of a deified patriarchal ruling order.
Part.2 The Culture Industry: Enlightenment as Mass Deception
Under monopoly, all mass culture is consistent, and the framework it produces through the way it thinks begins to manifest itself clearly. Those at the top no longer consciously shy away from monopoly: violence has become more public and power has ballooned. Movies and radio no longer have to pretend to be art; they have become fair trade, truth transformed into ideology in order to judge the rubbish they produce. They call themselves industries.
However, the paradise of the culture industry is also a kind of drudgery. Escapes and elopements are pre-programmed to come back in the end. Pleasure is supposed to help people forget to submit, but instead it makes people more submissive.
The desperate search for consistency is bound to lead to failure. In order to avoid this failure, all great works of art stylistically achieve a self-denial, while bad ones often rely on similarity to other works, on a coherence with an alternative character.… (mehr)